THE LETTER WHICH Raimundo Silva wrote to the author of
Raimundo Silva was walking up the stairs to his apartment after taking his letter to the post office, when he heard the telephone ring. He made no attempt to hurry, partly because he was tired, partly because he felt indifferent and detached, most likely it was Costa wanting to know how he was getting on with the proofs of the volume of poetry or with the preliminary reading of the novel he had left him on that black day, Do you remember. He allowed enough time for Costa to give up, but the telephone went on ringing, it rang with gentle insistence, as if someone was determined to persist simply because it was his or her duty and not because they were counting on getting an answer. He was tranquilly inserting the key in the lock when he remembered it could not possibly be Costa who was calling, Costa had ceased to be his direct contact, poor Costa, an innocent victim, demoted in the hierarchy to the almost mechanical task of fetching and carrying, he who, whenever necessary, was capable of treating the proof-reading mob as equals. Raimundo Silva paused on the threshold of the study, and the telephone, as if sensing his presence, became twice as strident, like a pet dog delirious with excitement on hearing its master return, all it had to do was to jump down from the table and start leaping about, anxious to be patted and cuddled, its tongue out, panting, drooling with sheer pleasure. Raimundo has the odd acquaintance who rings from time to time, and there have been occasions when some woman or other has rung him because she wanted or pretended to want to speak to him and hear how he was getting along, but that was ages ago, calls from women were a thing of the past and there they remained, voices which, if they were to come to him now, would sound supernatural as if coming from another world.