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As Flay passed through the servants’ archway and descended the twelve steps that led into the main corridor of the kitchen quarters, he became aware of an acute transformation of mood. The solitude of Mr Rottcodd’s sanctum, which had been lingering in his mind, was violated. Here among the stone passages were all the symptoms of ribald excitement. Mr Flay hunched his bony shoulders and with his hands in his jacket pockets dragged them to the front so that only the black cloth divided his clenched fists. The material was stretched as though it would split at the small of his back. He stared mirthlessly to right and left and then advanced, his long spidery legs cracking as he shouldered his way through a heaving group of menials. They were guffawing to each other coarsely and one of them, evidently the wit, was contorting his face, as pliable as putty, into shapes that appeared to be independent of the skull, if indeed he had a skull beneath that elastic flesh. Mr Flay pushed past.

The corridor was alive. Clusters of aproned figures mixed and disengaged. Some were singing. Some were arguing and some were draped against the wall, quite silent from exhaustion, their hands dangling from their wrists or flapping stupidly to the beat of some kitchen catch-song. The clamour was pitiless. Technically this was more the spirit which Flay liked to see, or at all events thought to be more appropriate to the occasion. Rottcodd’s lack of enthusiasm had shocked him and here, at any rate, the traditional observance of felicity at the birth of an heir to Gormenghast was being observed. But it would have been impossible for him to show any signs of enthusiasm himself when surrounded by it in others. As he moved along the crowded corridor and passed in turn the dark passages that led to the slaughter-house with its stench of fresh blood, the bakeries with their sweet loaves and the stairs that led down to the wine vaults and the underground network of the castle cellars, he felt a certain satisfaction at seeing how many of the roysterers staggered aside to let him pass, for his station as retainer-in-chief to his Lordship was commanding and his sour mouth and the frown that had made a permanent nest upon his jutting forehead were a warning.

It was not often that Flay approved of happiness in others. He saw in happiness the seeds of independence, and in independence the seeds of revolt. But on an occasion such as this it was different, for the spirit of convention was being rigorously adhered to, and in between his ribs Mr Flay experienced twinges of pleasure.

He had come to where, on his left, and halfway along the servants’ corridor, the heavy wooden doors of the Great Kitchen stood ajar. Ahead of him, narrowing in dark perspective, for there were no windows, the rest of the corridor stretched silently away. It had no doors on either side and at the far end it was terminated by a wall of flints. This useless passage was, as might be supposed, usually deserted, but Mr Flay noticed that several figures were lying stretched in the shadows. At the same time he was momentarily deafened by a great bellowing and clattering and stamping.

As Mr Flay entered the Great Kitchen the steaming, airless concentration of a ghastly heat struck him. He felt that his body had received a blow. Not only was the normal sickening atmosphere of the kitchen augmented by the sun’s rays streaming into the room at various points through the high windows, but, in the riot of the festivities, the fires had been banked dangerously. But Mr Flay realized that it was right that this should be as insufferable as it was. He even realized that the four grillers who were forcing joint after joint between the metal doors with their clumsy boots, until the oven began to give under the immoderate strain, were in key with the legitimate temper of the occasion. The fact that they had no idea what they were doing nor why they were doing it was irrelevant. The Countess had given birth; was this a moment for rational behaviour?

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Титус Гроан
Титус Гроан

В огромном мрачном замке, затерянном среди высоких гор, переполох и великая радость: родился наследник древнего рода, семьдесят седьмой граф Горменгаст. Его удивительным фиолетовым глазам предстоит увидеть немало странных и страшных событий, но пока он всего лишь младенец на трясущихся от волнения руках своей старенькой няни.Он — предмет внимания окружающих. Строго и задумчиво смотрят глаза его отца, графа; отрешенно — глаза огромной огненноволосой женщины, его матери; сердито — черные глаза замкнутой девочки в алом платье, его сестры; любопытно и весело прищуриваются глаза придворного врача; и недобро смотрит из тени кто-то высокий и худой, с опущенной головой и вздернутыми острыми плечами.Быт замка подчинен сети строжайших ритуалов, но под покровом их торжественной неторопливости кипят первобытные страсти: ненависть, зависть, жажда власти, жажда любви, жажда свободы.Кружит по темным коридорам и залам хоровод персонажей, начертанных гротескно и живо.Читатель, ты станешь свидетелем многих мрачных событий. Рождение Титуса не было их причиной, но именно с него все началось…

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Фантастика / Эпическая фантастика

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