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Another senseless bout of foot-stamping and screaming broke the spell, and lifting his eyes he scowled about him. Suddenly, for a moment, the memory of Mr Rottcodd in his dusty deserted hall stole into his consciousness and he was shocked to realize how much he had really preferred – to this inferno of time-hallowed revelry – the limp and seemingly disloyal self-sufficiency of the curator. He straddled his way to a vantage point, from where he could see and remain unseen, and from there he noticed that Swelter was steadying himself on his legs and with a huge soft hand making signs to the adolescents below him to hold their voices. Flay noticed how the habitual truculence of his tone and manner had today altered to something mealy, to a conviviality weighted with lead and sugar, a ghastly intimacy more dreadful than his most dreaded rages. His voice came down from the shadows in huge wads of sound, or like the warm, sick notes of some prodigous mouldering bell of felt.

His soft hand had silenced the seething of the apprentices and he allowed his thick voice to drop out of his face.

‘Gallstones!’ and in the dimness he flung his arms apart so that the buttons of his tunic were torn away, one of them whizzing across the room and stunning a cockroach on the opposite wall. ‘Close your ranks and close your ranks and listen mosht attentivesome. Come closer then, my little sea of faces, come ever closer in, my little ones.’

The apprentices edged themselves forward, tripping and treading upon each other’s feet, the foremost of them being wedged against the wine-barrel itself.

‘Thatsh the way. Thatsh jusht the way,’ said Swelter, leering down at them. ‘Now we’re quite a happly little family. Mosht shelect and advanced.’

He then slid a fat hand through a slit in his white garment of office and removed from a deep pocket a bottle. Plucking out the cork with his lips, that had gripped it with an uncanny muscularity, he poured half a pint down his throat without displacing the cork, for he laid a finger at the mouth of the bottle, so dividing the rush of wine into two separate spurts that shot adroitly into either cheek, and so, making contact at the back of his mouth, down his throat in one dull gurgle to those unmentionable gulches that lay below.

The apprentices screamed and stamped and tore at each other in an access of delight and of admiration.

The chef removed the cork and twisted it around between his thumb and forefinger and satisfying himself that it had remained perfectly dry during the operation, recorked the bottle and returned it through the slit into his pocket.

Again he put up his hand and silence was restored save for the heavy, excited breathing.

‘Now tell me thish, my stenching cherubs. Tell me this and tell me exshtra quickly, who am I

? Now tell me exshtra quickly.’

‘Swelter,’ they cried, ‘Swelter, sir! Swelter!’

‘Is that all you know?’ came the voice. ‘Is that all you know, my little sea of faces? Silence now! and lishen well to me, chief chef of Gormenghast, man and boy forty years, fair and foul, rain or shine, sand and sawdust, hags and stags and all the resht of them done to a turn and spread with sauce of aloes and a dash of prickling pepper.’

‘With a dash of prickling pepper,’ yelled the apprentices hugging themselves and each other in turn. ‘Shall we cook it, sir? We’ll do it now, sir, and slosh it in the copper, sir, and stir it up. Oh! what a tasty dish, Sir. Oh! what a tasty dish!’

‘Shilence,’ roared the chef. ‘Silensh, my fairy boys. Silence, my belching angels. Come closer here, come closer with your little creamy faces and I’ll tell you who I am.’

The high-shouldered boy, who had taken no part in the excitement, pulled out a small pipe of knotted worm-wood and filled it deliberately. His mouth was quite expressionless, curving neither up nor down, but his eyes were dark and hot with a mature hatred. They were half closed but their eloquence smouldered through the lashes as he watched the figure on the barrel lean forward precariously.

‘Now lishen well,’ continued the voice, ‘and I’ll tell you exactly who I am and then I’ll shing to you a shong and you will know who’s shinging to you, my ghastly little ineffectual fillets.’

‘A song! A song!’ came the shrill chorus.

‘Firshtly,’ said the chef leaning forward and dropping each confidential word like a cannon ball smeared with syrup. ‘Firshtly. I am none other than Abiatha Swelter, which meansh, for you would not know, that I am the shymbol of both excellence and plenty. I am the father of exchellence and plenty. Who did I shay I was?’

‘Abafer Swelter,’ came the scream.

The chef leaned back on his swollen legs and drew the corners of his mouth down until they lost themselves among the shadows of his hot dewlaps.

‘Abiatha,’ he repeated slowly, stressing the central ‘A’. ‘Abiatha. What did I shay my name wash?’

‘Abiatha,’ came the scream again.

‘Thatsh right, thatsh right. Abiatha. Are you lishening, my pretty vermin, are you lishening?’

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Титус Гроан
Титус Гроан

В огромном мрачном замке, затерянном среди высоких гор, переполох и великая радость: родился наследник древнего рода, семьдесят седьмой граф Горменгаст. Его удивительным фиолетовым глазам предстоит увидеть немало странных и страшных событий, но пока он всего лишь младенец на трясущихся от волнения руках своей старенькой няни.Он — предмет внимания окружающих. Строго и задумчиво смотрят глаза его отца, графа; отрешенно — глаза огромной огненноволосой женщины, его матери; сердито — черные глаза замкнутой девочки в алом платье, его сестры; любопытно и весело прищуриваются глаза придворного врача; и недобро смотрит из тени кто-то высокий и худой, с опущенной головой и вздернутыми острыми плечами.Быт замка подчинен сети строжайших ритуалов, но под покровом их торжественной неторопливости кипят первобытные страсти: ненависть, зависть, жажда власти, жажда любви, жажда свободы.Кружит по темным коридорам и залам хоровод персонажей, начертанных гротескно и живо.Читатель, ты станешь свидетелем многих мрачных событий. Рождение Титуса не было их причиной, но именно с него все началось…

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