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She looked around at the walls of her room. They were hung with pictures once chosen as her favourites from among the scores that she had unearthed in the lumber room. One wall was filled with a great mountain scene where a road like a snake winding around and around the most impressive of crags was filled with two armies, one in yellow and the other, the invading force battling up from below, in purple. Lit as it were by torch-light the whole scene was a constant source of wonder to Fuchsia, yet this morning she gazed at it blankly. The other walls were less imposingly arranged, fifteen pictures being distributed among the three. The head of a jaguar; a portrait of the twenty-second Earl of Groan with pure white hair and a face the colour of smoke as a result of immoderate tattooing, and a group of children in pink and white muslin dresses playing with a viper were among the works which pleased her most. Hundreds of very dull heads and full-length portraits of her ancestors had been left in the lumber room. What Fuchsia wanted from a picture was something unexpected. It was as though she enjoyed the artist telling her something quite fresh and new. Something she had never thought of before.

A great writhing root, long since dragged from the woods of Gormenghast Mountain, stood in the centre of the room. It had been polished to a rare gloss, its every wrinkle gleaming. Fuchsia flung herself down on the most imposing article in the room, a couch of faded splendour and suavity of contour in which the angles of Fuchsia’s body as she lay in a half sprawl were thrown out with uncompromising severity. Her eyes which, since she had entered the attic, had taken on the calm expression so alien to her, were now smouldering again. They moved about the room as though they were seeking in vain a resting place, but neither the fantastic root, nor the ingenious pattern in the carpet below her had the power to hold them.

‘Everything’s wrong. Everything. Everything,’ said Fuchsia. Again she went to the window and peered down at the group in the quadrangle. By now it had grown until it filled all that was visible of the stone square. Through a flying buttress to the left of her she could command a view of four distant alleys in a poor district of Gormenghast. These alley-ways were pranked with little knots of folk, and Fuchsia believed that she could hear the far sound of their voices rising through the air. It was not that Fuchsia felt any particular interest in ‘occasions’ or festivities which might cause excitement below, but that this morning she felt acutely aware that something in which she would become involved was taking place.

On the table lay a big coloured book of verses and pictures. It was always ready for her to open and devour. Fuchsia would turn over the pages and read the verses aloud in a deep dramatic voice. This morning she leaned forward and turned over the pages listlessly. As she came upon a great favourite she paused and read it through slowly, but her thoughts were elsewhere.



THE FRIVOLOUS CAKE


A freckled and frivolous cake there was

That sailed on a pointless sea,

Or any lugubrious lake there was

In a manner emphatic and free.

How jointlessly, and how jointlessly

The frivolous cake sailed by

On the waves of the ocean that pointlessly

Threw fish to the lilac sky.

Oh, plenty and plenty of hake there was

Of a glory beyond compare,

And every conceivable make there was

Was tossed through the lilac air.

Up the smooth billows and over the crests

Of the cumbersome combers flew

The frivolous cake with a knife in the wake

Of herself and her curranty crew.

Like a swordfish grim it would bounce and skim

(This dinner knife fierce and blue),

And the frivolous cake was filled to the brim

With the fun of her curranty crew

.

Oh, plenty and plenty of hake there was

Of a glory beyond compare –

And every conceivable make there was

Was tossed through the lilac air.

Around the shores of the Elegant Isles

Where the cat-fish bask and purr

And lick their paws with adhesive smiles

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Титус Гроан
Титус Гроан

В огромном мрачном замке, затерянном среди высоких гор, переполох и великая радость: родился наследник древнего рода, семьдесят седьмой граф Горменгаст. Его удивительным фиолетовым глазам предстоит увидеть немало странных и страшных событий, но пока он всего лишь младенец на трясущихся от волнения руках своей старенькой няни.Он — предмет внимания окружающих. Строго и задумчиво смотрят глаза его отца, графа; отрешенно — глаза огромной огненноволосой женщины, его матери; сердито — черные глаза замкнутой девочки в алом платье, его сестры; любопытно и весело прищуриваются глаза придворного врача; и недобро смотрит из тени кто-то высокий и худой, с опущенной головой и вздернутыми острыми плечами.Быт замка подчинен сети строжайших ритуалов, но под покровом их торжественной неторопливости кипят первобытные страсти: ненависть, зависть, жажда власти, жажда любви, жажда свободы.Кружит по темным коридорам и залам хоровод персонажей, начертанных гротескно и живо.Читатель, ты станешь свидетелем многих мрачных событий. Рождение Титуса не было их причиной, но именно с него все началось…

Мервин Пик

Фантастика / Эпическая фантастика

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