‘I am, as your Chief has told you, an adviser to H.M. Customs and Excise in matters concerning antique jewellery and similar works of art. The declared value of the package was £100,000. This was unusual. There are methods of opening such packages clandestinely. The package was opened – under a Home Office Warrant, of course – and I was called in to examine the contents and give a valuation. I immediately recognized the Emerald Sphere from the account and sketch of it given in Mr Kenneth Snowman’s definitive work on Fabergé. I said that the declared price might well be on the low side. But what I found of particular interest was the accompanying document which gave, in Russian and French, the provenance of this priceless object.’ Dr Fanshawe gestured towards a photostat of what appeared to be a brief family tree that lay on the desk in front of M. ‘That is a copy I had made. Briefly, it states that the Sphere was commissioned by Miss Freudenstein’s grandfather directly from Fabergé in 1917 – no doubt as a means of turning some of his roubles into something portable and of great value. On his death in 1918 it passed to his brother and thence, in 1950, to Miss Freudenstein’s mother. She, it appears, left Russia as a child and lived in White Russian
M. broke in, ‘Thank you, Doctor. Just one or two final questions and I won’t detain you any further. You have examined this emerald ball thing and you pronounce it genuine?’
Dr Fanshawe ceased gazing at his boots. He looked up and spoke to a point somewhere above M.’s left shoulder. ‘Certainly. So does Mr Snowman of Wartski’s, the greatest Fabergé experts and dealers in the world. It is undoubtedly the missing masterpiece of which hitherto Carl Fabergé’s sketch was the only record.’
‘What about the provenance? What do the experts say about that?’
‘It stands up adequately. The greatest Fabergé pieces were nearly always privately commissioned. Miss Freudenstein says that her grandfather was a vastly rich man before the revolution – a porcelain manufacturer. Ninety-nine per cent of all Fabergé’s output has found its way abroad. There are only a few pieces left in the Kremlin – described simply as “pre-revolutionary examples of Russian jewellery”. The official Soviet view has always been that they are merely capitalist baubles. Officially they despise them as they officially despise their superb collection of French Impressionists.’
‘So the Soviet still retain some examples of the work of this man Fabergé. Is it possible that this emerald affair could have lain secreted somewhere in the Kremlin through all these years?’
‘Certainly. The Kremlin treasure is vast. No one knows what they keep hidden. They have only recently put on display what they have wanted to put on display.’
M. drew on his pipe. His eyes through the smoke were bland, scarcely interested, ‘So that, in theory, there is no reason why this emerald ball should not have been unearthed from the Kremlin, furnished with a faked history to establish ownership, and transferred abroad as a reward to some friend of Russia for services rendered?’
‘None at all. It would be an ingenious method of greatly rewarding the beneficiary without the danger of paying large sums into his, or her, bank account.’
‘But the final monetary reward would of course depend on the amount realized by the sale of the object – the auction price for instance?’
‘Exactly.’
‘And what do you expect this object to fetch at Sotheby’s?’