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Very early in the morning, without waiting for Piontek, I took the car from the garage and went home. The streets, obstructed by burned or overturned trolleys, fallen trees, rubble, were hard to navigate. A cloud of black, acrid smoke veiled the sky and many passersby were holding wet towels or handkerchiefs over their mouths. It was still drizzling. I passed lines of people pushing strollers or little wagonsful of belongings, or else lugging or dragging suitcases. Everywhere water was escaping from pipes, I had to drive through pools hiding debris that could shred my tires at any moment. Still, many cars were still circulating, most of them without windows and some even missing doors, but full of people: those who had space picked up bombing victims, and I did the same for an exhausted mother with two young children who wanted to go see her parents. I cut through the devastated Tiergarten; the Victory Column, still standing as if out of defiance, rose in the midst of a large lake formed by the water from shattered mains, and I had to make a big detour to skirt round it. I dropped the woman off in the rubble of the Händelallee and went on to my apartment. Everywhere, teams were at work repairing the damage; in front of destroyed buildings, sappers were pumping air into collapsed basements and digging to free survivors, assisted by Italian prisoners—everyone nowadays just called them the Badoglios

—with the letters
KGF
painted in red on their backs. The S-Bahn station in the Brückenallee lay in ruins; I lived a little farther, on Flensburgerstrasse; my building looked miraculously intact: a hundred and fifty meters farther, there was nothing but rubble and gaping façades. The elevator, of course, didn’t work, so I climbed the eight flights, passing my neighbors sweeping the stairway or nailing up their doors as best they could. I found mine torn from its hinges and lying sideways; inside, a thick layer of broken glass and plaster covered everything; there were traces of footsteps and my gramophone had disappeared, but nothing else seemed to have been taken. A cold, biting wind blew through the windows. I quickly filled a suitcase, then went downstairs to arrange with my neighbor, who came from time to time to do housework for me, to come and clean up; I gave her money to have the door repaired that day, and the windows as soon as possible; she promised to contact me at the SS-Haus when the apartment was more or less livable. I went out in search of a hotel: above all, I dreamed of a bath. The closest was the Eden Hotel, where I had already stayed for a time. I had luck, the entire Budapesterstrasse seemed razed, but the Eden was still open. The front desk was being taken by storm, rich people who had been left homeless, officers arguing over rooms. When I had mentioned my rank, my medals, my disability, and lied by exaggerating the state of my apartment, the manager, who had recognized me, agreed to give me a bed, provided I share the room. I held out a banknote to the floor waiter so he would bring hot water to my room: finally, around ten o’clock, I was able to run a bath, lukewarm but delectable. The water immediately turned black, but I didn’t care. I was still soaking when they let my roommate in. He excused himself politely through the closed bathroom door and told me he’d wait below until I was ready. As soon as I was dressed I went down to look for him: he was a Georgian aristocrat, very elegant, who had fled his burning hotel with his things and had ended up here.

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«Текст» – первый реалистический роман Дмитрия Глуховского, автора «Метро», «Будущего» и «Сумерек». Эта книга на стыке триллера, романа-нуар и драмы, история о столкновении поколений, о невозможной любви и бесполезном возмездии. Действие разворачивается в сегодняшней Москве и ее пригородах.Телефон стал для души резервным хранилищем. В нем самые яркие наши воспоминания: мы храним свой смех в фотографиях и минуты счастья – в видео. В почте – наставления от матери и деловая подноготная. В истории браузеров – всё, что нам интересно на самом деле. В чатах – признания в любви и прощания, снимки соблазнов и свидетельства грехов, слезы и обиды. Такое время.Картинки, видео, текст. Телефон – это и есть я. Тот, кто получит мой телефон, для остальных станет мной. Когда заметят, будет уже слишком поздно. Для всех.

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