She wonders, like a retch, if she did see this waiting all along, and closed her eyes because she wanted Chris so much. The more she tries to remember, the more it slips and twists and leers at her. In the end she knows she’s never going to know.
She goes back to staying still. She carefully cordons off enough of her mind to do the necessary stuff, like showers and homework, so people won’t come bothering her. She puts the rest into concentrating.
After a while she understands that something destroyed Chris to save her.
After a while longer she understands that this means it wants her for its own, and that she belongs to it for good now.
She cuts her hair off, for an offering, to send the message that she understands. She does it in the bathroom and burns the soft pale heap in the sink – the glade would be better, but they haven’t been back there since it happened, and she can’t tell if that’s because the others know some reason she hasn’t figured out. Her hair takes the lighter flame with a fierceness she didn’t expect, a
The smell of burning stays. For weeks afterwards she catches it on her, savage and holy.
Chunks of her mind fall off sometimes. At first it frightens her, but then she realises once they’re gone she doesn’t miss them, so it doesn’t bother her any more. The burn scars red and then white.
When Chris has been dead for four days, Julia hears that Finn’s been expelled for hotwiring the fire door, and starts waiting for the cops to come for her.
They gave her and the others some hassle about Selena going out with Chris, but it was the cunning mirage hassle Holly talked about, looked impressive till you got up close and saw there was nothing solid there. It dissolved after a few days of blank head-shakes. Which means that Gemma couldn’t keep Joanne from flapping her yap altogether – in fairness, nothing short of surgery could – but she must have managed to get it through Joanne’s thick skull that, no matter how incredibly awesomesauce the drama would be, they need to keep the details quiet for their own sakes.
But Julia couldn’t exactly get that through to Finn. (
She doesn’t have a clue what she’ll say when they come. As far as she can see, she has two options: spill her guts about how she wasn’t the only one meeting Chris, or deny everything and hope her parents get her a good lawyer. A month ago she would have said she’d go to jail before she’d throw Selena under a bus, no question; but things have changed, in ferocious tangled ways she’s having trouble getting a grip on. Lying awake late, she runs through each scenario in her head, tries to imagine each one playing out. They both feel impossible. Julia understands that doesn’t mean they can’t happen. The whole world has come apart and gone lunatic, gibbering.
By the end of the week she thinks the cops are playing mind-games with her, waiting for the suspense to break her down. It’s working. When she drops a binder – she and Becca are in the back of the library, collecting binders full of old Irish exams for the class to practise on – she almost leaps through the roof. ‘Hey,’ Becca says. ‘It’s OK.’
‘I’m actually smart enough to decide for myself whether it’s OK or not,’ Julia snaps in a whisper, scooping dusty pages off the staticky carpet. ‘And believe me, it fucking isn’t.’
‘Jules,’ Becca says gently. ‘It is. I swear. It’s all going to be totally fine.’ And she runs the backs of her fingers along Julia’s shoulder, down her arm, like someone calming a spooked animal.
Julia, whipping upright to rip her a new one, finds Becca looking back with steady brown eyes and not a hint of a flinch, even smiling a little. It’s the first time in weeks she’s looked at Becca properly. She realises that Becca is taller than her now, and that – unlike Selena and Holly and, Christ knows, Julia herself – she doesn’t look like shit. The opposite: she looks smoothed, luminous, as if her skin’s been stripped away and remade out of something denser and so white it’s almost metallic, something you could shatter your knuckles on. She looks beautiful.