No drawing on our card, no handwriting. The cutter had wanted to be found. Our girl didn’t, or didn’t want to make it easy.
Miss McKenna said – to both of us, now – ‘I think this makes it clear that the board is a positive force, not a negative one. Even the “I hate So-and-So” cards are useful: they identify the students whom we need to watch for signs of bullying, in one direction or the other. This is our window into the students’ private world, Detectives. If you know anything about young girls, then you’ll understand just how invaluable that is.’
‘Sounds deadly all round,’ said Conway. Tossed the pen again, whipped it out of the air. ‘Did the invaluable board get checked after school finished up yesterday?’
‘After classes end every day. As I told you.’
‘Who checked it yesterday?’
‘You would have to ask the teachers. They decide amongst themselves.’
‘We will. Do the girls know when it’s checked?’
‘I’m sure they’re aware that it is monitored. They see teachers looking at it; we don’t attempt to conceal the fact. We haven’t announced the precise schedule, however, if that is your question.’
Meaning our girl wouldn’t have known we could narrow it down. She would have thought she could vanish, into the stream of bright faces tumbling down that corridor.
Conway said, ‘Were any of the girls in the main school after classes ended?’
Silence again. Then: ‘As you may know, Transition Year – fourth year – involves large amounts of practical work. Group projects. Experiments. So forth. Often, fourth-years’ homework requires access to school resources. The art room, the computers.’
Conway said, ‘Meaning there were fourth-years here yesterday evening. Who and when?’
The full-on headmistress stare. Full-on cop stare coming back. Miss McKenna said, ‘Meaning no such thing. I have no knowledge of who was in the main building yesterday. The matron, Miss Arnold, holds a key to the door connecting the school to the boarders’ wing, and makes a note of any girl who is given permission to enter the main building after hours; you would need to ask her. I am simply telling you that, on any given evening, I would expect at least a few fourth-years to be here. I understand that you feel the need to find sinister meaning everywhere, but believe me, Detective Conway, there will be nothing sinister about some poor child’s Media Studies project.’
‘That’s what we’re here to find out,’ Conway said. She stretched, big, back arching, arms going over her head and out. ‘That’ll do for now. We’ll need a list of girls who had access yesterday after school. Fast. Meanwhile, we’re taking a look at this invaluable board.’
She flipped the pen back onto the desk, neat snap of her wrist like skimming a stone. It rolled across the green leather, stopped an inch from Miss McKenna’s clasped hands. Miss McKenna didn’t move.
The school had gone quiet, the kind of quiet made out of a hundred different low buzzes. Somewhere girls were singing, a madrigal: just snippets, layered up with sweet high harmonies, cut off and started over every couple of lines when the teacher corrected something.
Conway knew where we were headed. Top floor, down the corridor, past closed classroom doors (
‘Here we go,’ Conway said, and turned in to an alcove.
The board was maybe six foot across by three high, and it came leaping out of that alcove screaming straight in your face. Like a mind gone wrong, someone’s huge mad mind racketing out every-coloured pinballs full speed, with no stop button. Every inch of it was packed: photos, drawings, paintings, jammed in on top of each other, punching for space. Faces blacked out with marker. Words everywhere, scribbled, printed, sliced.
A sound from Conway, quick breath through her nose that could’ve been a laugh or the same shock.
Across the top: big black letters, fantasy-book curlicues.
Under that, smaller, no fancy font here: