The Year's Best Science Fiction, Vol. 20

“I can.” The hardware trickery is keeping the outside realms sensible. A tunnel of simple space leads to two men standing beside an iron-black cylinder. The men wear camouflage, but they are moving too fast to let it work. They look small now. Distant, or tiny. Once you leave the world, size and distance are impossible to measure. How many times have teachers told him that? Able watches the tiny men kicking at the cylinder. They beat on its heavy sides with their fists and forearms, managing to roll it for almost a quarter turn. Then one of the men pulls a fist-sized device from what looks like a cloth sack, fixing it to what looks like a sealed slot, and both men hurry to the far end of the cylinder.

“What are they doing?” asks Mish with a grumpy interest.

A feeling warns Able, but too late. He starts to say, “Look away-”

The explosion is brilliant and swift, the blast reflected off the cylinder and up along the tunnel of ordinary space, a clap of thunder making the giant horsetails sway and nearly knocking the two of them onto the forest floor.

“They’re criminals,” Mish mutters with a nervous hatred.

“How do you know?” the boy asks.

“People like that just are,” she remarks. “Living like they do. Alone like that, and wild. You know how they make their living.”

“They take what they need-”

“They steal!” she interrupts.

Able doesn’t even glance at her. He watches as the two men work frantically, trying to pry open the still-sealed doorway. He can’t guess why they would want the doorway opened. Or rather, he can think of too many reasons. But when he looks at their anguished, helpless faces, he realizes that whatever is inside, it’s driving these wild men very close to panic.

“Criminals,” Mish repeats.

“I heard you,” Able mutters.

Then before she can offer another hard opinion, he turns to her and admits, “I’ve always liked them. They live by their wits, and mostly alone, and they have all these sweeping powers-”

“Powers that they’ve stolen,” she whines.

“From garbage, maybe.” There is no point in mentioning whose garbage. He stares at Mish’s face, pretty but twisted with fury, and something sad and inevitable occurs to Able. He shakes his head and sighs, telling her, “I don’t like you very much.”

Mish is taken by surprise. Probably no other boy has said those awful words to her, and she doesn’t know how to react, except to sputter ugly little sounds as she turns, looking back over the edge of the world.

Able does the same.

One of the wild men abruptly turns and runs. In a supersonic flash, he races past the children, vanishing into the swirling grayness, leaving his companion to stand alone beside the mysterious black cylinder. Obviously weeping, the last man wipes the tears from his whiskered face with a trembling hand, while his other hand begins to yank a string of wondrous machines from what seems to be a bottomless sack of treasures.

ESCHER

She consumes all of her carefully stockpiled energies, and for the first time in her life, she weaves a body for herself: A distinct physical shell composed of diamond dust and keratin and discarded rare earths and a dozen subtle glues meant to bind to every surface without being felt. To a busy eye, she is dust. She is insubstantial and useless and forgettable. To a careful eye and an inquisitive touch, she is the tiniest soul imaginable, frail beyond words, forever perched on the brink of extermination. Surely she poses no threat to any creature, least of all the great ones. Lying on the edge of the little wound, passive and vulnerable, she waits for Chance to carry her where she needs to be. Probably others are doing the same. Perhaps thousands of sisters and daughters are hiding nearby, each snug inside her own spore case. The temptation to whisper, “Hello,” is easily ignored. The odds are awful as it is; any noise could turn this into a suicide. What matters is silence and watchfulness, thinking hard about the great goal while keeping ready for anything that might happen, as well as everything that will not.

The little wound begins to heal, causing a trickling pain to flow.

The World feels the irritation, and in reflex, touches His discomfort by several means, delicate and less so.

Escher misses her first opportunity. A great swift shape presses its way across her hiding place, but she activates her glues too late. Dabs of glue cure against air, wasted. So she cuts the glue loose and watches again. A second touch is unlikely, but it comes, and she manages to heave a sticky tendril into a likely crevice, letting the irresistible force yank her into a brilliant, endless sky.

She will probably die now.

For a little while, Escher allows herself to look back across her life, counting daughters and other successes, taking warm comfort in her many accomplishments.