The Year's Best Science Fiction, Vol. 20

Ashwin reaches the folding deal table where the alms are bestowed. The old man bows to him in blessing, an assistant hands him a chapati. Ashwin cannot but notice the barrier gloves. He looks a moment at the bowed head of the rich man, the saffron mark on the forehead, the simple white robes. Are you the one whose machines split my mind from my body and send it across the solar system? A nudge moves him on.

“How long?” Ashwin asks the man at the end of the row of tables, whose job seems to be to keep the beneficiaries moving. He nods to the richly patterned cloth draped over the pile.

“Looking like today,” the minder says.

By the time Ashwin reaches the station, he has finished the holy breakfast. With each step up, the sound from within increases until it seems as solid as the four-hundred-year-old Raj-brick walls. Hand-scrawled signs apologize again for the delay in final construction of the nano-carbon diamond train shed. Labor shortages. More money to be made, out there. The spars of the half-completed dome reach over the crumbling station like a hunting hawk’s claws, stooping. Beneath them, legions of shift workers clash on the platforms, merge, flow through each, separate, neither the victor. Clocking on, clocking off. Families camped on the platforms make meals, wipe children, tend elders. Water sellers clack bronze water cups, newsplug hawkers hold up five fingers full of the days’ headlines; wallahs lift baskets of guavas and mangoes; battered tin trays of samosas and nimki; paper-wrapped pokes of channa. Buy eat buy eat. Ashwin half-hears an announcement, half-glimpses a platform change on a hovering roll-screen, then is almost carried off his feet as a thousand people move as one. Out there, a sleek little electric commuter train slides stealthily into its platform. He makes it as the doors close, dodges the Sikh packer who would seize him by collar and seat of pants and wedge him between that oily man with the big mustache and that girl in the suddenly self-consciously short skirt. Ashwin swings into the gap between carriages: hands reach down, pull him up the ladder as the fast little train begins to accelerate.

The inside monthly ticket has gone up again.

Roof-riders shuffle aside for Ashwin as the train pulls out of the cracked dome of Kharar station. He grips tight as the carriage lurches over points. If you slide down between the carriages, there is no hope. But it is cheap, and the air is fresher than the hot spew pushed around by the carriage ventilators. From his high seat, it seems to Ashwin that even in one night the slum chawls have divided and grown denser again, like bacteria doubling, in a sample dish. They seem to shoulder closer to the line. Chawl life as a series of snapshots. Flash: a dirty little urchin girl, wide-eyed at the wonderful train, one hand in her mouth, the other held up in salutation. Hello hello hello… Flash: three men in dhotis drag the corpse of a pickup on frayed nylon ropes, like an ox hauled to the slaughter. Flash: two barefoot women push a water-barrow, leaning hard into the shafts to shift the heavy leaking plastic barrel. Flash: a leathery old man angles a solar umbrella into the best light to power his sewing machine. Flash: A skeletal yellow cow stares dully at the level crossing, unfazed by the train hurtling past its nose. Don’t test your sacred status this morning. Panjab Rapid Transit respects you not.

Ashwin thinks of his own tenaciously held few rooms, the roof garden where his mother tends a small urban farm, the balcony; his father’s pride, the mark of a man, a place where he may entertain his friends, read the paper of a morning, watch the satellite sports of an evening. But a proper house; no slum, no cardboard shanty, no. So proud they are. He thinks of the world he will build that day, the homes and towns they will design beneath the glass sky. Cities. Hundreds of cities; cities built for people, with districts where everyone knows your name and open spaces where you can meet and talk and markets where you can buy goods from two worlds and then a cup of coffee in a bar where you may watch sports. Cities big enough to be thrilling, small enough to be intimate. And chawls? Ashwin looks at the sprawling degradation with a new eye. Yes, chawls! Of course chawls! Where there are people, there will always be the cities we build for ourselves, out of our deepest needs, not given by those who tell us how we should live. Human cities. He imagines the people of Old Kharar and Basi and Kurali flocking from their hovels, along the sewage-seeping lanes to the roads, to the rail, south, ever south, to the girdle of space elevators ringing the world’s waist. He sees them flowing up those spun-diamond towers, sailing across space in colossal arks, whole families together. He imagines them coming down the hundred thousand pier-towers, spreading out under his glass roof across the virgin grasslands, taking the things they find and building from them their homes.