Век самопознания. Поиски бессознательного в искусстве и науке с начала XX века до наших дней

Riegl, A. The Group Portraiture of Holland. Intro. by W. Kemp. Los Angeles: Getty Research Institute for the History of Art and the Humanities, 1999.

Rock, I. Perception. San Francisco: W. H. Freeman, 1984.

Roeske, T. Traces of psychology: The art historical writings of Ernst Kris // American Imago 58 (2001): 463–474.

Rose, L. Daumier in Vienna: Ernst Kris, E. H. Gombrich, and the politics of caricature // Visual Resources 23 (1–2) 2007: 39–64.

Rose, L. Psychology, Art, and Antifascism: Ernst Kris, E. H. Gombrich, and the Caricature Project. Fordham University Press. In press. 2011.

Sauerländer, W. It’s all in the head: Franz Xaver Messerschmidt, 1736–1783: From Neoclassicism to Expressionism // New York Review of Books 57 (16) 2010.

Schapiro, M. The New Viennese School / In: The Vienna School Reader: Politics and Art Historical Method in the 1930s. C. S. Wood, ed. New York: Zone Books, 2000.

Schapiro, M. Theory and Philosophy of Art: Style, Artist, and Society. New York: George Braziller, 1998.

Schorske, C. E. Fin-de-Siècle Vienna: Politics and Culture. New York: Vintage Books, 1981.

Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: The vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 1–14.

Wickhoff, F. Roman Art: Some of Its Principles and Their Application to Early Christian Painting. A. Strong, translator & editor. New York: Macmillan, 1900.

Worringer, W. Abstraction and Empathy: A Contribution to the Psychology of Style.

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Wurtz, R. H., and E. R. Kandel Construction of the Visual Image / In: Principles of Neural Science. 4^th ed. E. R. Kandel, J. H. Schwartz, T. Jessell, eds. New York: McGraw-Hill, 2000. Pp. 492–506.

Глава 12. Мозг как творческий аппарат

Ferretti, S. Cassirer, Panofsky, and Warburg: Symbols, Art, and History. New Haven: Yale University Press, 1989.

Friedlander, M. J. On Art and Connoisseurship (

Von Kunst und Kennerschaft). Berlin: Bruno Cassirer Ltd., 1942.

Gombrich, E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation. Princeton and Oxford: Princeton University Press, 1960.

Handler-Spitz, E. Psychoanalysis and the aesthetic experience / In: Art and the Psyche. New Haven: Yale University Press, 1985. Pp. 55–65.

Holly, M. A. Panofsky and the Foundations of Art History. Ithaca, NY: Cornell University Press, 1984.

Necker, L. A. Observations on some remarkable optical phenomena seen in Switzerland, and on an optical phenomenon which occurs on viewing a figure of a crystal or geometrical solid // London and Edinburgh Philosophical Magazine and Journal of Science 1 (5) 1832: 329–337.

Panofsky, E. Studies in Iconology: Humanistic Themes in the Art of the Renaissance.

Boulder, CO: Westview Press, 1939.

Rock, I. Perception. San Francisco: W. H. Freeman, 1984.

Rose, L. Psychology, Art and Antifascism: Ernst Kris, E. H. Gombrich, and the Caricature Project. Manuscript (2010).

Searle, J. Minds, Brains, and Science (1984 Reith Lectures). Cambridge, MA: Harvard University Press, 1986.

Wittgenstein, L. Philosophical Investigations. New York: Macmillan, 1967.

Глава 13. Начало новой живописи

Gauss, C. E. The Aesthetic Theories of French Artists: 1855 to the Present. Baltimore: Johns Hopkins University Press, 1949.