Читаем When Darkness Loves Us полностью

As the years went by, she noticed that no one yelled at her anymore, so she stopped chopping wood, mowing the lawn, and canning peaches. She hated canning the peaches. But she made bread. It was good, squishing the dough, and the white all over her hands and wrists and the counter and the floor. She made bread until the refrigerator was full, and she piled it up on the counter until it turned black and musty. Then she fed it to the chickens. “Chickens gotta eat,” she’d coo as she sprinkled the bread crumbs in front of their house.

She was never allowed in the barn, so when the terrible awful smell came from there, some people came and brought her things to eat while they burned the barn so she didn’t have to think about it anymore.

Since Martha wasn’t chopping so much wood and canning peaches and mowing the lawn, she had a lot of time to herself. She did a lot of wondering. She would stand in the wooden doorway to her little home and look out and wonder how the weeds got so high, and would they get as high as the roof. She never found out, though, because now and then a nice boy from town would bring his big machine and mow them down. She sat at the scrubbed table and fingered the wide glossy pink-white scars that ran all around her nose and wondered where they came from. She wondered where the sofa came from, and how come there were always baby chickens and what made the stove hot. And then she’d get dressed up and go to town and buy more yeast and flour and sometimes Mr. McRae, the shopkeeper, would give her a cookie or some other little treat.

When Martha was fifty-four, she put on one of her mother’s dresses because hers didn’t fit her anymore. She looked in the mirror and thought she looked very familiar, just like her mother, so she sat down and put on powder from the little round flat thing with the cracked mirror, then tried lipstick. Her lips didn’t match so good when she tried to rub them together like her mother used to do, and the lipstick smeared on one side. She took a tissue and started to rub it, and suddenly a little face looked back at her from the mirror. A younger face, with darker curls, a girl with a lump of a nose that hooked to the side, surrounded by fat red scars. The girl had traced the scars in lipstick and mother was removing it with a tissue and a scolding. Mother was crying, and Martha didn’t understand. Then the vision was gone, and Martha went to town.

She went to the bank first, where they all knew her. She asked for twenty dollars and they gave it to her. The pretty girl in the window told her she looked nice, and Martha repeated it to her. “You look nice today,” she said. She took her crisp bill and went over to the general store and bought what she always bought. Milk, yeast, flour, sugar, and root beer. The 4-H kept up a garden at her house which provided all the vegetables she wanted. Especially carrots. She loved to pull up the carrots, all warm from the sun, wipe the dirt off on her dress, and eat them.

Mr. McRae, pleasantly scrubbed and mostly bald in his white apron, was always smiling. “Good morning, Martha. How are you today?”

“Look nice,” Martha said.

“Yes, you look very nice today. Do you want the usual?”

“Flour . . .” Martha said, ticking off finger number one.

“Yes. Wait just a minute and I’ll get it all for you.”

Martha waited, looking at all the shiny jars with the colorful striped sticks inside. Mr. McRae returned with a sack full of groceries and set them on the counter.

“What do you do with all this flour, Martha?”

Her face screwed up in listening intensity. “Bake bread.”

“Freshly baked bread, eh? Do you eat it all?” He glanced at her bulk.

“Chickens gotta eat.”

“You feed the bread to the chickens?”

She looked at him blankly. “Chickens gotta eat.”

He leaned over the counter closer to her. “I’ll tell you what, Martha. I’ll give you some real good food for the chickens, and you bring me the bread you bake, okay? And some fresh eggs?”

“You want bread?”

“Yes,” he nodded. “I’ll buy it from you.”

“You want eggs?”

He nodded again.

She laughed, a rasp, horrible in its lack of practice, her poorly sewn-on nose crinkling redly. “I get bread. I get eggs.”

“Good. Here.” He put a small solid sack of chicken feed in with her groceries. “Feed this to your chickens, and bring me bread and eggs, okay?”

She picked up the sack and left without acknowledgment. Mr. McRae shook his head as she waddled out of the store.

Martha headed for home. A block away from the store, she had to go to the bathroom. She paused for a moment and thought about it, then turned and walked through the next door she came to.

Her eyes opened in amazement. She’d never seen a place like this before. There was a long bench, only it was too tall to be a bench; stools were in front of it. There were little square tables and red booths. Three men sat in one booth, cigarette smoke curling to the ceiling. Sparkling glasses and bottles covered the wall behind the man who stood on the other side of the bench. He smiled at her.

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Эллен Датлоу, лучший редактор и эксперт жанра хоррор, собрала для вас потрясающую коллекцию историй, каждая из которых пронизана тонким психологизмом, неподражаемой иронией и вместе с тем беспощадно правдива.Особенность этой антологии состоит в том, что помимо рассказов современных писателей в ней собраны и произведения, признанные классикой жанра, такие как «Щелкун» Стивена Кинга, «Можжевельник» Питера Страуба и «Человек-в-форме-груши» Джорджа Мартина.Если вы являетесь поклонником «Книг Крови» Клайва Баркера, творчества Джойс Кэрол Оутс, «Песочною человека» Нила Геймана или произведений «открытия последних лет» Джо Хилла, то эта книга займет почетное место на вашей книжной полке Впервые на русском языке!

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