Женщины Девятой улицы. Том 2

Alloway, Lawrence, and Mary Davis McNaughton. Adolph Gottlieb: A Retrospective. New York: Hudson Hills, 1995.

Altshuler, Bruce. The Avant-Garde in Exhibition, New Art in the 20th Century. New York: Harry N.

Abrams, Inc., 1994.

Anfam, David. Abstract Expressionism. London: Thames & Hudson World of Art, 2012.

Arb, Renée. “They’re Painting Their Way.” Harper’s Jr. Bazaar (1947).

Arendt, Hannah. “The Concentration Camps.” Partisan Review 15, no. 7 (July 1948).

Arendt, Hannah. The Human Condition. Chicago: University of Chicago Press, 1958.

Arnason, H. H. Robert Motherwell. New York: Harry N. Abrams, Inc., 1977.

Art with the Touch of a Poet: Frank O’Hara. Storrs, CT: The William Benton Museum of Art, the University of Connecticut, January 24 — March 13, 1983.

Artists of the New York School Second Generation, Paintings by TwentyThree Artists. New York: The Jewish Museum, March 10 to April 28, 1957.

Artists’ Theatre New York, Four Plays. New York: Grove Press, 1960.

Ashbery, John. “An Expressionist in Paris.” ArtNews 64, no. 2 (April 1965).

Ashbery, John. “Frank O’Hara’s Question.” Book Week, September 25, 1966.

Ashbery, John. “In Memory of My Feelings.” ArtNews 66, no. 9 (January 1968).

Ashbery, John. Interview. “The Invisible Avant-Garde.” ArtNews Annual

34 (1968).

Ashbery, John, edited by David Bergman. Reported Sightings: Art Chronicles, 1957–1987. New York: Alfred A. Knopf, 1989.

Ashton, Dore. A Joseph Cornell Album. New York: The Viking Press, 1974.

Ashton, Dore. “Jackson Pollock’s Arabesque.” Arts Magazine 53, no. 7 (March 1979).

Ashton, Dore. The Life and Times of the New York School. Bath, Somerset, UK: Adams & Dart, 1972.

Ashton, Dore. The New York School: A Cultural Reckoning. Berkeley: University of California Press, 1973.

Ashton, Dore, ed. Picasso on Art: A Selection of Views. New York: Da Capo Press, 1972.

Ashton, Dore, with Joan Banach, eds. The Writings of Robert Motherwell. Berkeley: University of California Press, 2007.

Auden, W. H. The Age of Anxiety: A Baroque Eclogue. New York: Random House, 1947.

Auping, Michael, and Lawrence Alloway, eds. Abstract Expressionism: The Critical Developments. New York: Harry N. Abrams, 1987.

Bair, Deirdre. Samuel Beckett: A Biography. New York: Harcourt Brace Jovanovich, 1978.

Baker, Elizabeth C. “Hans Hofmann, Abstract-Expressionism and Color in New York, 1945–65.” ArtNews Annual 37. New York: Macmillan Company, 1971.

Barber, Allen. “Making Some Marks.” Arts Magazine 48 (June 1974).

Bard, Joellen. “Tenth Street Days: An Interview with Charles Cajori and Lois Dodd.” Arts Magazine 52, no. 4 (December 1977).

Bard, Joellen. Tenth Street Days: The Co‐Ops of the 50s: The Galleries, Tanager, Hansa, James, Camino, March, Brata, Phoenix, Area. New York: Education, Art and Service, Inc., 1977.

Baro, Gene. “Artistic Revolution by Being Wholly Herself, Helen Frankenthaler.” Vogue

, June 1975.

Barr, Alfred H., Jr. Picasso: Fifty Years of His Art. New York: The Museum of Modern Art, by the Arno Press, 1980.

Barr, Alfred H., Jr. What Is Modern Painting? New York: The Museum of Modern Art, 1943.

Barrett, William. Irrational Man: A Study in Existential Philosophy. New York: Doubleday Anchor Book, 1962.

Barrett, William. “New Innocents Abroad.” Partisan Review 17, no. 3 (1950).

Barrett, William. The Truants: Adventures Among the Intellectuals. New York: Anchor Press/Doubleday, 1982.

Barrett, William. “What Existentialism Offers Modern Man.” Commentary, July 1951.

Barzun, Jacques. “Romanticism: Definition of a Period.” Magazine of Art 42, no. 7 (November 1949).

Baskin, Wade, ed. Jean-Paul Sartre: Essays in Existentialism. New York: The Citadel Press, 1970.

Baudelaire, Charles. The Painter of Modern Life and Other Essays. New York: Phaidon Press, Inc., 1964.