Женщины Девятой улицы. Том 2

Ward, John L. American Realist Painting 1945–1980. Ann Arbor, MI: UMI Research Press, 1990.

Weibel, Kathryn. Mirror, Mirror: Images of Women Reflected in Popular Culture. New York: Anchor Books, 1977.

Wetzsteon, Ross. Republic of Dreams, Greenwich Village: The American Bohemia, 1910–1960. New York: Simon & Schuster, 2002.

White, E. B. Here Is New York. New York: The Little Bookroom, 1999.

Whyte, Lynn, Jr. Educating Our Daughters: A Challenge to the Colleges. New York: Harper and Bros., 1950.

Whyte, William, Jr. “The Wife Problem.” Life 32, no. 1 (January 2, 1952).

Whyte, William H. The Organization Man.

New York: Penguin Books, 1961.

Wilkin, Karen. David Smith. New York: Abbeville Press, 1984.

Wilkin, Karen. “Frankenthaler and Her Critics.” The New Criterion 8, no. 2 (October 1989).

Wilkin, Karen. “Frankenthaler at the Guggenheim.” The New Criterion 16, no. 7 (March 1998).

Wilkin, Karen. Frankenthaler Works on Paper 1949–1984. New York: George Braziller in association with the International Exhibitions Foundation, 1984.

Willard, Charlotte. “Women of American Art.” Look, September 27, 1960.

Williams, Juanita H. “Woman: Myth and Stereotype.” International Journal of Women’s Studies 1, no. 3 (May – June 1978).

Williams, Tennesse. In the Bar of the Tokyo Hotel and Other Plays

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Wittner, Lawrence S. Rebels Against War: The American Peace Movement, 1941–1960. New York: Columbia University Press, 1969.

Wolf, Ben. “Portrait of a President: President John F. Kennedy, an Exhibition of Portraits and Sketches by Elaine de Kooning.” Kansas City Art Institute and School of Design, 1965.

Wolfe, Tom. The Painted Word. New York: Picador, 1975.

Вулф Вирджиния. Своя комната. London: Penguin, 1928.

Вулф Вирджиния. На маяк, Hertfordshire, UK: Wordsworth Classics, 1994.

Wright, Morris. “The Violent Land – Some Observations on the Faulkner Country.” Magazine of Art

45, no. 3 (March 1952).

Wydenbruck, Nora. Rilke, Man and Poet: A Biographical Study. London: John Lehmann, 1949.

Yard, Sally. “The Angel and the Demoiselle: Willem de Kooning’s ‘Black Friday.’ ” Record of the Art Museum, Princeton University 50, no. 1 (1991).

“The Year’s Best 1955.” ArtNews 54, no. 9 (January 1956).

Young, Edward. Edward Young’s Conjectures on Original Composition. London: Forgotten Books, 2012.

Zeffirelli, Franco. “Turned-On Architecture: De Kooning and Friends.” Horizon, June 1981.

Zinn, Howard. A People’s History of the United States. New York: Harper Perennial Modern Classics, 2005.

Zucker, Steven Ezekiel. “Art in Dark Times: Abstract Expressionism, Hannah Arendt and the ‘Natality’ of Freedom.” PhD dissertation, City University of New York, 1997.

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Ранее опубликованные материалы

ArtNews: Excerpts from reviews and articles published with permission of ArtNews, Copyright © Art Media Holdings, LIC.

City Lights: Frank O’Hara, excerpts from “A Step Away from Them” and “Adieu to Norman, Bonjour to Joan and Jean-Paul” from LUNCH POEMS. © 1954 by Frank O’Hara. Reprinted with the permission of The Permissions Company, Inc., on behalf of CityLights Books, citylights.com, and Maureen Granville-Smith, Administratrix of the Estate of Frank O’Hara.

Counterpoint: A COMPLICATED MARRIAGE: MY LIFE WITH CLEMENT GREENBERG, by Janice Van Horne, © 2012 Janice Van Horne. Reprinted by permission of Counterpoint.

Dr. Barbaralee Diamonstein-Spielvogel: INSIDE THE NEW YORK ART WORLD, by Barbaralee Diamonstein-Spielvogel. Rizzoli International Publications, Inc., 1979. Rights granted by copyright holder Dr. Barbaralee Diamonstein-Spielvogel.

Geoffrey Dorfman: OUT OF THE PICTURE, MILTON RESNICK AND THE NEW YORK SCHOOL, by Geoffrey Dorfman. Midmarch Arts Press, 2003. Permission granted by copyright holder Geoffrey Dorfman.

Natalie Edgar: CLUB WITHOUT WALLS, SELECTIONS FROM THE JOURNALS OF PHILIP PAVIA, Natalie Edgar, ed. Midmarch Arts Press, 2007. Permission granted by copyright holder Natalie Edgar.