A people's tragedy

The essentially bourgeois character of this kind of nationalism was clearly visible in Finland. The Grand Duchy of Finland enjoyed more self-rule and autonomy than any other part of the Tsarist Empire because on its capture from Sweden in 1808–9 the Russians confirmed the same rights and privileges that had been granted to the Finns by the more liberal Swedes. These cultural freedoms enabled the growth of a small but nationally conscious native intelligentsia, which took its inspiration from the publication of such Finnish folk-epics as the Kalevala, and which, from the 1860s, became increasingly unified through the national campaign for the Finnish language to be put on an equal footing with the historically dominant Swedish.48

In the Baltic provinces there was a similar cultural movement based around the campaign for native language rights in schools and universities, literary publications and official life. It was directed less against the Russians than the Germans (in Estonia and Latvia) or the Poles (in Lithuania), who had dominated these regions before their conquest by the Russians in the eighteenth century. Here the native languages had survived only in the remote rural areas (the native élites had been assimilated into the dominant linguistic culture). They were really no more than peasant dialects, closely related but locally varied, not unlike the Gaelic of the Irish and the Scots. During the nineteenth century linguists and ethnographers collected together and standardized these dialects in the form of a written language with a settled grammar and orthography. Ironically, even if the peasants could have read this ‘national language’, most of them would have found it hard to understand, since it was usually either based on just one of the dominant dialects or was an artificial construction, a sort of peasant Esperanto, made up from all the different dialects. Nevertheless, this creation of a literary native language, and the publication of a national literature and history written in its prose, helped to start the process of nation-building and made it possible, in future decades, to educate the peasantry in this emergent national culture. In Estonia the cultural landmarks of this national renaissance were the publication of the epic poem Kalevipoeg by Kreutzwald in 1857, and the foundation, in the same year, of an Estonian-language newspaper, Postimees, aimed at peasant readers. In Latvia there was also a native-language newspaper, Balss (The Voice), from 1878, which, like the Latvian Association, was committed to the idea of uniting the peoples of the two provinces of Livonia and Kurland — which then comprised the territory of Latvia — to form a single Latvian nation. Finally, in Lithuania, which for so long had been dominated by the Poles, a national written language was also developed during the latter half of the nineteenth century (just to spite the Poles it was based on the Czech alphabet) and a native literature began to appear.49

As on the Baltic, so in post-partition Poland, the nation was an idea and not yet a place. Poland existed only in the imagination and in the memory of the historic Polish kingdom which had existed before its defeat and subjugation to the great powers of Eastern Europe towards the end of the eighteenth century. Its spirit was expressed in the poetry of Adam Mickiewicz, in the patriotic hymns of the Catholic Church, and — or so at least the patriots claimed (for he was half-French) — in the music of Chopin. This cultural nationalism was a comfort for the Poles, and a substitute for politics. Very few people were engaged in public life, even fewer in open dissent against Russia. Censorship and the constant danger of arrest forced the literate population to withdraw into the world of poetry (as in Russia, literature in Poland served as a metaphor for politics). The 1830 Polish uprising, even the great 1863 uprising, were the work of a relatively small nationalist minority, mostly students, officers, priests and the more liberal noble landowners. Neither won much support from the peasantry, who had little concept of themselves as Poles and who, in any case, were much more interested in gaining their own land and freedom from the nobles than in fighting for a cause led by noblemen and intellectuals.50