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3. Rebecca Arnold, The American Look: Fashion, Sportswear and the Image of Women in 1930s and 1940s New York (London: I. B. Tauris, 2009), 199; also “Dress Trade More Attentive to Resort Wear,” Women’s Wear Daily, November 11, 1938.

4. Judith Thurman, “Closet Encounters: Charting the Rise of the Fashionable American Woman,” The New Yorker (May 10, 2010), www.newyorker.com/arts/critics/artworld/2010/05/10/100510craw_artworld_thurman.

5. Alison Lurie, The Language of Clothes (New York: Henry Holt, 2000), 58.

6. Bradley Quinn, “Sportswear,” in A – Z of Fashion.

7. Martin and Koda, Jocks and Nerds, 30.

8. Ibid., 28.

9. Ibid., 27.

10. James Laver, Costume and Fashion: A Concise History (New York: Thames & Hudson, 2002), 60.

11. “History of the Bikini,” Time.com, http://www.time.com/time/photogallery/0,29307,1908353,00.html.

12. Marybelle S. Bigelow, Fashion in History: Apparel in the Western World (Minneapolis: Burgess, 1979), 295.

13. Patrik Alac, The Bikini: A Cultural History (London and New York: Parkstone Press, 2002), 21.

14. Ibid., 29.

15. Ibid., 31.

16. Sara Pendergast and Tom Pendergast, Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear Through the Ages, ed. Sarah Hermsen, vol. 5 (Detroit: UXL, 2004), 854.

17. Alac, The Bikini, 32.

18. Jantzenswim.com.

19. Jane Pavitt, “Logos,” in A – Z of Fashion.

20. Martin and Koda, Jocks and Nerds, 121.

21. Pavitt, “Logos.”

22. Martin and Koda, Jocks and Nerds, 30.

17. Coats and Jackets: From Cavemen to Real Housewives

1. Liz Mellish, “Early History of Dress,” in Berg Encyclopedia of World Dress and Fashion, vol. 9, East Europe, Russia, and the Caucasus.

2. Quentin Bell quotes his hero Veblen, in On Human Finery, rev. ed. (London: Hogarth Press, 1976), 15.

3. Robert Selbie, The Anatomy of Costume (New York: Crescent Books, 1977), 15.

4. Stefano Tonchi, “Military Style,” in The Berg Companion to Fashion, ed. Valerie Steele (Oxford: Berg, 2010), 507.

5. Walking dress ensemble (1817–1820) image caption of white silk dress with bands and braiding, Berg Fashion Library.

6. Stefano Tonchi, “Military Style,” in The Berg Companion to Fashion, 507.

7. Ibid.

8. Julia Emberley, “Fur,” in A – Z of Fashion.

18. Hats: Crowning Glory

1. John Potvin, ed., The Places and Spaces of Fashion, 1800–2007 (New York: Routledge, 2009), 117.

2. Laurel Wilson, “Western Wear,” in Berg Encyclopedia of World Dress and Fashion, vol. 3, The United States and Canada.

3. James Laver, Costume and Fashion: A Concise History (New York: Thames & Hudson, 2002), 23.

4. Ibid., 18–19.

5. Ibid., 15.

19. Gloves: The Long-Lost Love Token

1. C. Cody Collins, Love of a Glove: The Romance, Legends and Fashion History of Gloves and How They Are Made (New York: Fairchild, 1945), 10.

2. Ibid., 15.

3. Ibid., 13.

4. Ibid., 16.

5. Ibid., 24.

6. Ibid., 29.

7. Ibid., 76.

8. Ibid., 4.

9. Claire McCardell, What Shall I Wear? The What, Where, When and How Much of Fashion (New York: Simon & Schuster, 1956), 57.

20. Handbags: Enemy of the Pocket

1. Diana Vreeland, D.V. (1984), ed. George Plimpton and Christopher Hemphil (New York: Da Capo Press, 1997), 89.

2. Annie Groer, “Hermès v. Hermès,” The Washington Post, June 28, 2006, quoting March 2006, Scotland on Sunday interview with Jane Birkin, www.washington-post.com/wp-dyn/content/article/2006/06/28/AR2006062801276.html.

3. Michael Tonello, Bringing Home the Birkin:

My Life in Hot Pursuit of the World’s Most Coveted Handbag (New York: William Morrow, 2008), 152.

Conclusion: How to Shop with the Past, Present, and Future in Mind

1. Alison Lurie, The Language of Clothes (New York: Henry Holt, 2000), 5.

2. Ibid., 34.

3. Leopoldina Fortunati, “Wearable Technology,” in Berg Encyclopedia of World Dress and Fashion, vol. 10, Global Perspectives.

4. Linda Grant, The Thoughtful Dresser: The Art of Adornment, the Pleasures of Shopping, and Why Clothes Matter (New York: Scribner, 2010), 10.

5. Quentin Bell, On Human Finery, rev. ed. (London: Hogarth Press, 1976), 21–22, quoting Isaiah 3:16–24.

6. Jan Glier Reeder, High Style: Masterworks from the Brooklyn Museum Costume Collection at the Metropolitan Museum of Art (New York: Metropolitan Museum of Art, 2010), 220.

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