Blowback

Émile Zola had called Les Halles the belly of Paris -a fitting sobriquet as it had long been the city’s main food market, where citizens, restaurateurs, and merchants alike traveled on a daily basis to purchase the wide variety of staples that made up the Parisian diet. Les Halles was also practically the geographical hub of Paris as it lay just north of the Louvre-the point from which all of Paris’s arrondissements, or administrative districts, spiraled out in clockwise fashion, much like the continuous ring of a conch shell.

Sotheby’s three-story annex was bordered by some sort of warehouse to its left and a butcher shop to its right. Beneath the eaves of the butcher shop was a mural that Harvath thought he recognized. Before he could give it further thought, he heard a buzz as the lock on the annex door was released and he realized that Jillian was already on her way inside.

The interior of the annex was incredibly modern and bore little resemblance to the building’s dilapidated exterior. The only hints of its age were the timeworn wooden floors, which had been polished until they shone like honey-colored mirrors. Rows of halogen lighting illuminated a variety of paintings and sculptures displayed against the stark white walls. A sleek, brushed aluminum reception desk sat in front of a frosted pane of glass complete with an etched Sotheby’s crest. Behind the desk was an impeccably dressed young woman, flanked by two armed security guards in crisp black uniforms. The guards were not your everyday rent-a-cops either. Their eyes had an unmistakable Don’t fuck with me look. Judging by the Heckler amp; Koch MP5s slung over their shoulders, the body armor strapped to their chests, and the.40-caliber Berettas at their sides, their employers took security of this annex very seriously. Harvath knew the price tag for all of the art stored in this facility had to have been astronomical.

Jillian announced herself to the secretary, while Harvath nodded pleasantly at the two powerful-looking security guards. Neither of them returned Harvath’s greeting. They just stared, sizing him up.

“Oui, d’accord,” said the attractive receptionist as she hung up the phone and turned to Jillian. “Dr. Davidson is officing on the top floor at the end of the corridor. I will need to see your identification, please.”

Jillian and Harvath both proffered their passports. The receptionist copied down their information and then took digital photos of each of the visitors. Moments later a machine beneath her desk spat out two laminated badges. “If you would please be kind enough to pin these visitor passes to your clothing,” said the woman to Jillian, “you may proceed upstairs.”

They walked up a narrow, winding staircase together in silence. When they emerged onto the third floor, it looked as if they were stepping onto the set of a Three Musketeers movie.

The rough-hewn plank flooring was complemented by a series of wooden beams that lined the low ceiling. Eighteenth-century oil paintings of life at court, pastoral scenes, and a variety of still life subjects hung in gilded frames and lined both sides of the hallway. Beneath the paintings was the occasional antique chair or collection of leather-bound books piled artistically on sturdy, farmhouse-style tables. If not for the modern halogen lighting, Harvath would have sworn they had traveled back in time.

Davidson’s office was at the end of the hall on the right. When they arrived at the heavy wooden door, Harvath knocked, and a voice from inside instructed them to enter. Rising from behind her desk to greet her two guests, Dr. Molly Davidson was not at all what Harvath had expected.

She stood at least two inches taller than him, and with her long blond hair and deeply tanned skin looked more like a beach volleyball player than one of the world’s foremost experts on ancient arms and armor.

“Dr. Davidson,” said Jillian, offering her hand as they met her halfway across the room. “I’m Dr. Alcott, and this is Sam Guerin,” she continued, using the alias Harvath was traveling under.

Except for its extraordinary length, the office, with its petite sink, sloping roof, and small windows set into the eaves, resembled a typical Parisian-style garret apartment, or chambre de bonne used for housing domestics. The long room looked as if it was predominantly used by Sotheby’s for storage, but someone had shoved most of the office furniture and cardboard boxes toward a back corner to clear space for the arms and armor expert from London.

Workbenches with microscopes, illuminated magnifying glasses, and a host of other research tools lined the interior wall. A short row of bookcases ran along the opposite wall beneath the windows, while down the center of the room was an enormous worktable that had to be at least seven feet wide and twice as long. Half of the table was covered with a series of white sheets on top of which were the artifacts Dr. Davidson was currently investigating, including the breastplates.