Читаем Fall of Giants полностью

From this point a range of hills ran northwest for twenty miles. The German trenches in this sector had been dug into the slopes of the hills. From one such trench, Walter von Ulrich looked through powerful Zeiss Doppelfernrohr binoculars down to the British positions.

It was a sunny day in early summer, and he could hear birdsong. In a nearby orchard that had so far escaped shelling, apple trees were blossoming bravely. Men were the only animals that slaughtered their own kind by the million, and turned the landscape into a waste of shell craters and barbed wire. Perhaps the human race would wipe itself out completely, and leave the world to the birds and trees, Walter thought apocalyptically. Perhaps that would be for the best.

The high position had many advantages, he thought, coming back to practical matters. The British would have to attack uphill. Even more useful was the ability of the Germans to see everything the British were doing. And Walter felt sure that right now they were preparing a major assault.

Such activity could hardly be concealed. For months, ominously, the British had been improving the roads and railways in this previously sleepy area of the French countryside. Now they were using those supply lines to bring forward hundreds of heavy guns, thousands of horses, and tens of thousands of men. Behind the front lines, trucks and trains in constant streams were unloading crates of ammunition, barrels of fresh water, and bales of hay. Walter focused his lenses on a communications detail, digging a narrow trench and unspooling a huge reel of what was undoubtedly telephone wire.

They must have high hopes, he thought with cold apprehension. The expenditure of men, money, and effort was colossal. It could only be justified if the British thought this was the decisive attack of the war. Walter hoped it was-one way or the other.

Whenever he looked into enemy territory he thought of Maud. The picture he carried in his wallet, cut out of the Tatler magazine, showed her in a dramatically simple ball gown at the Savoy Hotel, over the caption Lady Maud Fitzherbert is always dressed in the latest fashion. He guessed she was not doing much dancing now. Had she found some role in the war effort, as Walter’s sister Greta had in Berlin, bringing small luxuries to wounded men in army hospitals? Or had she retired to the country, like Walter’s mother, and planted her flower beds with potatoes because of the food shortage?

He did not know whether the British were short of food. Germany’s navy was trapped in port by the British blockade, so there had been no imports by sea for almost two years. But the British continued to get supplies from America. German submarines attacked transatlantic ships intermittently, but the high command held back from an all-out effort-what was called USW, for “unrestricted submarine warfare”-for fear of bringing the Americans into the war. So, Walter guessed, Maud was not as hungry as he was. And he was better off than German civilians. There had been strikes and demonstrations against the food shortage in some cities.

He had not written to her, nor she to him. There was no postal service between Germany and Britain. The only chance would come if one of them traveled to a neutral country, the United States or Sweden perhaps, and posted a letter from there; but that opportunity had not yet arisen for him nor, presumably, for her.

It was torment not to know anything about her. He was tortured by the fear that she might be ill in hospital without his knowledge. He longed for the end of the war so that he could be with her. He desperately wanted Germany to win, of course, but there were times when he felt he would not care about losing as long as Maud was all right. His nightmare was that the end came, and he went to London to find her, only to be told that she was dead.

He pushed the frightening thought to the back of his mind. He lowered his sights, focused his lenses nearer, and examined the barbed-wire defenses on the German side of no-man’s-land. There were two belts of it, each fifteen feet wide. The wire was firmly fixed to the ground with iron stakes so that it could not easily be moved. It made a reassuringly formidable barrier.

He climbed down from the trench parapet and turned down a long flight of wooden steps to a deep dugout. The disadvantage of the hillside position was that the trenches were more visible to enemy artillery so, to compensate, the dugouts in this sector had been cut far into the chalky soil, deep enough to provide protection from anything but a direct hit from the largest type of shell. There was room to shelter every man in the trench garrison during a bombardment. Some dugouts were interconnected, providing an alternative way out if shelling blocked the entrance.

Перейти на страницу:

Все книги серии Century Trilogy

Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

Историческая проза

Похожие книги

Живая вещь
Живая вещь

«Живая вещь» — это второй роман «Квартета Фредерики», считающегося, пожалуй, главным произведением кавалерственной дамы ордена Британской империи Антонии Сьюзен Байетт. Тетралогия писалась в течение четверти века, и сюжет ее также имеет четвертьвековой охват, причем первые два романа вышли еще до удостоенного Букеровской премии международного бестселлера «Обладать», а третий и четвертый — после. Итак, Фредерика Поттер начинает учиться в Кембридже, неистово жадная до знаний, до самостоятельной, взрослой жизни, до любви, — ровно в тот момент истории, когда традиционно изолированная Британия получает массированную прививку европейской культуры и начинает необратимо меняться. Пока ее старшая сестра Стефани жертвует учебой и научной карьерой ради семьи, а младший брат Маркус оправляется от нервного срыва, Фредерика, в противовес Моне и Малларме, настаивавшим на «счастье постепенного угадывания предмета», предпочитает называть вещи своими именами. И ни Фредерика, ни Стефани, ни Маркус не догадываются, какая в будущем их всех ждет трагедия…Впервые на русском!

Антония Сьюзен Байетт

Историческая проза / Историческая литература / Документальное
Добро не оставляйте на потом
Добро не оставляйте на потом

Матильда, матриарх семьи Кабрелли, с юности была резкой и уверенной в себе. Но она никогда не рассказывала родным об истории своей матери. На закате жизни она понимает, что время пришло и история незаурядной женщины, какой была ее мать Доменика, не должна уйти в небытие…Доменика росла в прибрежном Виареджо, маленьком провинциальном городке, с детства она выделялась среди сверстников – свободолюбием, умом и желанием вырваться из традиционной канвы, уготованной для женщины. Выучившись на медсестру, она планирует связать свою жизнь с медициной. Но и ее планы, и жизнь всей Европы разрушены подступающей войной. Судьба Доменики окажется связана с Шотландией, с морским капитаном Джоном Мак-Викарсом, но сердце ее по-прежнему принадлежит Италии и любимому Виареджо.Удивительно насыщенный роман, в основе которого лежит реальная история, рассказывающий не только о жизни итальянской семьи, но и о судьбе британских итальянцев, которые во Вторую мировую войну оказались париями, отвергнутыми новой родиной.Семейная сага, исторический роман, пейзажи тосканского побережья и прекрасные герои – новый роман Адрианы Трижиани, автора «Жены башмачника», гарантирует настоящее погружение в удивительную, очень красивую и не самую обычную историю, охватывающую почти весь двадцатый век.

Адриана Трижиани

Историческая проза / Современная русская и зарубежная проза
Испанский вариант
Испанский вариант

Издательство «Вече» в рамках популярной серии «Военные приключения» открывает новый проект «Мастера», в котором представляет творчество известного русского писателя Юлиана Семёнова. В этот проект будут включены самые известные произведения автора, в том числе полный рассказ о жизни и опасной работе легендарного литературного героя разведчика Исаева Штирлица. В данную книгу включена повесть «Нежность», где автор рассуждает о буднях разведчика, одиночестве и ностальгии, конф­ликте долга и чувства, а также романы «Испанский вариант», переносящий читателя вместе с героем в истекающую кровью республиканскую Испанию, и «Альтернатива» — захватывающее повествование о последних месяцах перед нападением гитлеровской Германии на Советский Союз и о трагедиях, разыгравшихся тогда в Югославии и на Западной Украине.

Юлиан Семенов , Юлиан Семенович Семенов

Детективы / Исторический детектив / Политический детектив / Проза / Историческая проза