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Lady Maud sent for her before breakfast. Ethel made up a coffee tray and took it to the Pink Room. Maud was at her dressing table in a purple silk negligee. She had been crying. Ethel had troubles of her own, but all the same her sympathy quickened. “What’s the matter, my lady?”

“Oh, Williams, I’ve had to give him up.”

Ethel assumed she meant Walter von Ulrich. “But why?”

“His father came to see me. I hadn’t really faced the fact that Britain and Germany are enemies, and marriage to me would ruin Walter’s career-and possibly his father’s, too.”

“But everyone says there’s not going to be a war, Serbia’s not important enough.”

“If not now, it will be later; and even if it never happens, the threat is enough.” There was a frill of pink lace around the dressing table, and Maud was picking at it nervously, tearing the expensive lace. It was going to take hours to mend, Ethel thought. Maud went on: “No one in the German foreign ministry would trust Walter with secrets if he were married to an Englishwoman.”

Ethel poured the coffee and handed Maud a cup. “Herr von Ulrich will give up his job if he really loves you.”

“But I don’t want him to!” Maud stopped tearing the lace and drank some coffee. “I can’t be the person that ended his career. What kind of basis is that for marriage?”

He could have another career, Ethel thought; and if he really loved you, he would. Then she thought of the man she loved, and how quickly his passion had cooled when it became inconvenient. I’ll keep my opinions to myself, she thought; I don’t know a bloody thing. She asked: “What did Walter say?”

“I haven’t seen him. I wrote him a letter. I stopped going to all the places where I usually meet him. Then he started to call at the house, and it became embarrassing to keep telling the servants I was not at home, so I came down here with Fitz.”

“Why won’t you talk to him?”

“Because I know what will happen. He will take me in his arms and kiss me, and I’ll give in.”

I know that feeling, Ethel thought.

Maud sighed. “You’re quiet this morning, Williams. You’ve probably got worries of your own. Are things very hard with this strike?”

“Yes, my lady. The whole town is on short rations.”

“Are you still feeding the miners’ children?”

“Every day.”

“Good. My brother is very generous.”

“Yes, my lady.” When it suits him, she thought.

“Well, you’d better get on with your work. Thank you for the coffee. I expect I’m boring you with my problems.”

Impulsively, Ethel seized Maud’s hand. “Please don’t say that. You’ve always been good to me. I’m very sorry about Walter, and I hope you will always tell me your troubles.”

“What a kind thing to say.” Fresh tears came to Maud’s eyes. “Thank you very much, Williams.” She squeezed Ethel’s hand, then released it.

Ethel picked up the tray and left. When she reached the kitchen Peel, the butler, said: “Have you done something wrong?”

Little do you know, she thought. “Why do you ask?”

“His lordship wants to see you in the library at half past ten.”

So it was to be a formal talk, Ethel thought. Perhaps that was better. They would be separated by a desk, and she would not be tempted to throw herself into his arms. That would help her keep back the tears. She would need to be cool and unemotional. The entire course of the rest of her life would be set by this discussion.

She went about her household duties. She was going to miss Tŷ Gwyn. In the years she had worked there she had come to love the gracious old furniture. She had picked up the names of the pieces, and learned to recognize a torchère, a buffet, an armoire, or a canterbury. As she dusted and polished she noticed the marquetry, the swags and scrolls, the feet shaped like lions’ paws clasping balls. Occasionally, someone like Peel would say: “That’s French-Louis Quinze,” and she had realized that every room was decorated and furnished consistently in a style, baroque or neoclassical or Gothic. She would never live with such furniture again.

After an hour she made her way to the library. The books had been collected by Fitz’s ancestors. Nowadays the room was not much used: Bea read only French novels, and Fitz did not read at all. Houseguests sometimes came here for peace and quiet, or to use the ivory chess set on the center table. This morning the blinds were pulled halfway down, on Ethel’s instructions, to shade the room from the July sun and keep it cool. Consequently the room was gloomy.

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Все книги серии Century Trilogy

Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

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