said Mr. Witz, They tuned in the asteroid Virginia on another suppressed invention.
"Young Coogler," Briggs said into the microphone. This is Briggs. We wish to know whether you've come to your senses and are ready to take your place in society—ours, of course."
There squawked over the loud-speaker the voice of Bunny. "I say, what was that. No, not now, not for a second please. Where did that voice come from? Can you hear me, Mr. Briggs?"
"I hear you," said Mr. Briggs.
"Extraordinary! Another invention, eh?"
"Yes," said Briggs. "I am calling, young Coogler, to learn whether you are properly contrite and if so to arrange for your rescue."
"Rescue?" said the voice of Bunny. "Why, no thanks. That wont be necessary. Having a fine time here. They need me, you know. They love me for, ah, myself alone. Not the dashed money. Double-dash the money, I say!"
Mr. Briggs, white to the lips, broke the connection.
"He meant you to do that," Mr. Witz remarked.
"I know. Let him rot there."
The quavery old curator had been listening, "On Virginia?" he asked tremulously. "You don't rot on Virginia, Don't you gentlemen know how it got its name?"
"Never bothered to find out," Mr. Briggs snapped. "Since you're bursting to tell us, you might as well."
The curator beamed. "They call it Virginia because it's the planetoid of virgins. The dangdest thing. Perpetual virgins. The Plutocratic Space Force says they've never seen anything like it, not on Mars, not on Callisto. Self-renewing—the dangdest thing!"
Mr. Briggs and Mr. Witz looked at each other. After a while Mr. Witz spoke.
"Bunny," he said reflectively. "Bunny. He was well named."
The Advent on Channel Twelve
It came to pass in the third quarter of the fiscal year that the Federal Reserve Board did raise the rediscount rate and money was tight in the land. And certain bankers which sate hi New York sent to Ben Graffis in Hollywood a writing which said, Money is tight in the land so let Poopy Panda up periscope and fire all bow tubes.
Whereupon Ben Graffis made to them this moan:
O ye bankers, Poopy Panda is like unto the child of my flesh and you have made of him a devouring dragon. Once was I content with my studio and my animators when we did make twelve Poopy Pandas a year; cursed be the day when I floated a New York loan. You have commanded me to make feature-length cartoon epics and I did obey, and they do open at the Paramount to sensational grosses, and we do re-release them to the nabes year on year, without end. You have commanded me to film live adventure shorts and I did obey, and in the cutting room we do devilishly splice and pull frames and flop neg-atives so that I and my cameras are become bearers of false witness and men look upon my live adventure shorts and say lo! these beasts and birds are like unto us in their laughter, wooing, pranks, and con-tention. You have commanded that I become a mountebank for that I did build Poopy Pandaland, whereinto men enter with their children, their silver, and their wits, and wherefrom they go out with their children only, sandbagged by a thousand catch-penny engines; even this did I obey.