Читаем Hive полностью

She leaned against a squat stone chamber with a multi-peaked roof. She swept her light around, taking in those broken domes like fossilized craniums, the crumbling and pitted columns rising above them, those squared off vaults below . . . many of which were clogged with pools of black ice. She squatted down, peering into one of those chasms. “Have you guys ever been to Paris?” she asked them. “To Pere Lachaise? It’s like this there . . . just a crowded tangle of marble . . . stones and markers and crypts with very little egress.”

Cutchen said, “But Pere Lachaise . . . that’s a cemetery.”

“And so is this,” she said.

Hayes stood there, something like madness scratching at the pan of his brain. An alien graveyard. Well, yes, certainly. A necropolis. That’s what this was . . . a network of graves and tombs, headstones and sepulchers. A funerary grounds as envisioned by those cold and insectile minds of the Old Ones. The disorientating geometry was apparent in everything they built.

Cutchen turned and looked at him and it was hard to say what he was thinking. There was a vacancy in that look, an emptiness threatening to fill up with something impossibly bad. His face was blotchy, maybe from the cold and maybe from something else. He kept looking at Hayes like he was looking for a denial, looking for Hayes to reassure him that, yes, Sharkey was fucking crazy, so just relax. Nothing to worry about here.

But Sharkey wasn’t crazy and she certainly wasn’t wrong, so he said nothing and Cutchen just looked at him, his eyes moist and rubbery like eggs floating in dirty brine.

Sharkey was leading now, the other two slowly deflating behind her. Maybe the idea of an alien graveyard was setting on them wrong, but she found it all simply incredible and you could see it. She led them in circles, paying little to no attention to Hayes telling her that they had to move this along and Cutchen telling her he was leaving. With or without them, he was leaving.

Finally, she crouched down. “Hand me that lantern, Cutchy,” she said.

He grumbled under his breath, but did so.

She was crouching before one of those vault-like chambers cut into the stone. She got down on her belly and lowered the lantern down. She didn’t need to alert them to what she had found. About twelve feet down, maybe fifteen, they could see the shriveled conical tops of alien corpses protruding from a pool of ice. They were corrugated, dehydrated-looking. Those starfish-shaped heads and attendant eyes were terribly withered, looking much like flaccid clusters of shriveled grapes.

“Well, they bury their dead,” Cutchen said. “And vertically. So what?”

His scientific interest had waned considerably, been replaced pretty much by an I-don’t-give-a high-hairy-shit sort of attitude.

“Why not vertically?” Sharkey said. “We bury our dead at rest, laying down. These things rest upright, so it’s perfectly natural, isn’t it?”

Cutchen grunted. “Yeah, this whole place is perfectly fucking natural.”

Sharkey led them away, peering here and peering there. Nodding her head at things that interested her, speculating freely under her breath. Finally she came to one of those rectangular buildings and paused. This one had a long horizontal opening that you could look through. And, of course, she did just that.

“Look,” she said. “Just look at this.”

Cutchen refused, but Hayes did and mainly because he respected this woman and maybe even loved her. Otherwise he would have told her that enough was enough. His nerves were wearing thin as was his patience.

What he was looking into was a mausoleum of sorts. Arranged against the walls in there like Mexican mummies in a catacomb, were maybe a dozen or so Old Ones. Their oblong bodies were leaning against each other, many badly decomposed and rotted into hollowed husks like blackened cucumbers falling into themselves. Their appendages and eyestalks were nothing but dead, drooping worms. Many of the bodies had disintegrated down to wiry barrel frames that might have been some sort of primitive skeleton, but looked more like leathery networks of sinew and tendon.

Like some dead alien forest, is what Hayes found himself thinking. Some dead, mutated forest of distorted and cadaverous tree trunks that had grown into one another, sprouting narrow skeletal pipes and branching twigs, looping desiccated root systems and downs of snaking vines like threads of moonflax.

It was hard to get over the idea that they were lifeless things, ancient mummies far older than the ones Gates had brought in. These had decayed and mummified before the glaciers arrived making them positive relics. They were hideous in life, but maybe more so in death . . . shrunken and wrinkled and leathery, tangled in their own limbs. Alien zombies.

And they were not powerless, Hayes thought.

Not in the least.

Maybe their great age had something to do with it, but those pruned eyes dangling from corded stalks still seemed to glimmer and shine with a blasphemous vitality.

Enough.

Перейти на страницу:

Похожие книги

12 новогодних чудес
12 новогодних чудес

Зима — самое время открыть сборник новогодних рассказов, в котором переплелись истории разных жанров, создавая изумительный новогодний узор! Вдыхая со страниц морозно-хвойный аромат, Вы научитесь видеть волшебство в обыденных вещах. Поразмышляете на тему отношений с самым сказочным праздником и проживете двенадцать новогодних историй — двенадцать новогодних чудес! Открывающийся и завершающийся стихами, он разбудит в Вашем сердце состояние безмятежности, тихой радости и вдохновения, так необходимые для заряда на долгую зиму. Добро пожаловать в пространство, где для волшебства не нужен особый повод, а любовь к себе, доверие к миру и надежда трансформируются в необыкновенные приключения! Ссылки на авторов размещены в конце сборника.

Варвара Никс , Ира на Уране , Клэр Уайт , Юлия Atreyu , Юлия Камилова

Фантастика / Современные любовные романы / Городское фэнтези / Ужасы / Романы
Мифы Ктулху
Мифы Ктулху

Г.Ф. Лавкрафт не опубликовал при жизни ни одной книги, но стал маяком и ориентиром целого жанра, кумиром как широких читательских масс, так и рафинированных интеллектуалов, неиссякаемым источником вдохновения для кинематографистов. Сам Борхес восхищался его рассказами, в которых место человека — на далекой периферии вселенской схемы вещей, а силы надмирные вселяют в души неосторожных священный ужас."Мифы Ктулху" — наиболее представительный из "официальных" сборников так называемой постлавкрафтианы; здесь такие мастера, как Стивен Кинг, Генри Каттнер, Роберт Блох, Фриц Лейбер и другие, отдают дань памяти отцу-основателю жанра, пробуют на прочность заявленные им приемы, исследуют, каждый на свой манер, географию его легендарного воображения.

Колин Уилсон , Роберт Блох , Рэмси Кемпбелл , Фриц Лейбер , Фрэнк Белкнап Лонг

Фантастика / Ужасы / Ужасы и мистика