Hive

With all those bulbs netting the first thirty or so feet of the city, Hayes finally got a good look at that ancient structure. It was simply incredible. The sight of it literally sucked the breath from his lungs and the blood from his veins. That old, ugly familiarity was there, of course, the sense that these aged ruins were something long-hidden in the depths of all men’s minds. But looking up at it, canceled all that out. On TV, ancient cities always looked too neat, too tidy, too planned in their obsolescence, but not this one. It rose up incredibly high, yet sagging and leaning and crumbling away in too many places. Hayes could see that it went up at least two-hundred feet until it met the grotto’s domed roof . . . and even then, it simply disappeared into solid rock. As if the mountain had grown up around it and engulfed it through the ages. Such incredible antiquity was mind-boggling. But Gates had reiterated what Professor Dyer of the Pabodie Expedition had said: the ruins were at least 350 million years old and that was a conservative estimate.

These ruins were from an amazingly advanced pre-human civilization.

Hayes knew that, but the words had meant little to him until now.

Pre-human city. Pre-human intelligence.

“God, look at that will you?” Cutchen finally said. “You can . . . you can almost feel how ancient it is . . . right up your spine.”

Ancient? No, the sphinx and the Acropolis were ancient, this was primordial. This predated man’s oldest works by hundreds of millions of years. It was a dawn city. A nightmare exercise in diverging geometrical association, a relic from some depraved and evil elder world. It did not look so much like a city, but like some immense and derelict machine, some dreadful mechanism from a Medieval torture chamber. A profoundly synergistic and yet nonsensical device made of pistons and pipes, wires and cylinders, vents and cogs. Something rising and leaning, squat yet narrow and tall, diverging at impossible right angles to itself. The human mind was not prepared to look upon such a thing . . . it automatically sought an overall structural plan, a uniformity, and found nothing it could pull in and make sense of. This was a perverse and godless architecture born of minds reared in some multi-dimensional reality.

“Christ, it gives me a headache,” Sharkey said.

And that was very apt, for it did tax the brain . . . it was too busy, too profuse, too multitudinous in design. It was formed of arches and cubes, rectangular slabs set on their ends, a lunatic labyrinth of cones and pyramids, octagons and hexagons, spheres and towers, radiating spirals and bifurcating masts. Like the forking, tangled skeleton of some primal beast, some sideshow sea serpent tacked together out of dozens of unrelated skeletons into a single gangly whole, a mad bone sculpture. An insane and precarious armature that should have fallen, but didn’t. It balanced upon itself like some surreal experiment in abstract geometry and unearthly symmetry.

Hayes thought it looked impossibly random like something formed by nature, the hollowed remains of deep-sea organisms heaped upon one another . . . corals and sponges, anemones and sea cucumbers, crab carapaces and ghost pipes. Just an odd and conflicting collection of dead things that had boiled and rotted into a single mass, grown into one another and out of each other until there was no beginning and no true end. Standing back and taking it in, he was envisioning it as the black and glossy endoskeleton of some massive alien insect rising from the earth . . . a deranged biomechanical hybrid of girders and ribs, vertebrae and pelvic disks, conduits and hollow tubes held together by spiraling ladders of ligament. A chitinous and scaly ossuary, a jutting cyclopean honeycomb capped by rising narrow protrusions like the chimneys of a foundry or the smoker vents of hydrothermal ovens.

But even that wasn’t right, for as haphazard and conflicting as the city was, you could not get by the disturbing feeling that there was a purpose here, that the structure was highly mechanistic and practical to its owners, a symbiotic union of steel and flesh, rock and bone. It had an odd industrial look to it. Even the stone it was cut from was not smooth nor polished, but ribbed and knobby and oddly crystalline, set with saw-toothed ridges and jutting teeth and the threads of screws. Almost like there was some dire machinery inside attempting to burst through those bowing, scalloped walls.

To call it a city was an oversimplification.

For this was not a city as humans understood a city. No human mind could have dreamed of this and no human brain had the engineering skill to make it stand and not fall into itself. This was not a city as such, a place of homes and lives, this was harsh and hostile, utilitarian and machined, something brought forth by hopelessly cold and automated minds. An anthill.

A hive.