Читаем Night Shift полностью

'I don't want to look,' Vicky said, staring down helplessly anyway. And when the staring, sightless face flopped up to regard them, she screamed again. The boy's face was dirty, his expression a grimace of terror. His throat had been cut.

Burt got up and put his arms around Vicky as she began to sway. 'Don't faint,' he said very quietly. 'Do you hear me, Vicky? Don't faint.'

He repeated it over and over and at last she began to recover and held him tight. They might have been dancing, there on the noon-struck road with the boy's corpse at their feet.

'Vicky?'

'What?' Muffled against his shirt.

'Go back to the car and put the keys in your pocket. Get the blanket out of the back seat, and my rifle. Bring them here.'

'The rifle?'

'Someone cut his throat. Maybe whoever is watching us.' Her head jerked up and her wide eyes considered the corn. It marched away as far as the eye could see, undulating up and down small dips and rises of land.

'I imagine he's gone. But why take chances? Go on. Do it.'

She walked stiltedly back to the car, her shadow following, a dark mascot who stuck close at this hour of the day. When she leaned into the back seat, Burt squatted beside the boy. White male, no distinguishing marks. Run over, yes, but the T-Bird hadn't cut the kid's throat. It had been cut raggedly and inefficiently - no army sergeant had shown the killer the finer points of hand-to-hand assassination -but the final effect had been deadly. He had either run or been pushed through the last thirty feet of corn, dead or mortally wounded. And Burt Robeson had run him down. If the boy had still been alive when the car hit him, his life had been cut short by thirty seconds at most.

Vicky tapped him on the shoulder and he jumped.

She was standing with the brown army blanket over her left arm, the cased pump shotgun in her right hand, her face averted. He took the blanket and spread it on the road. He rolled the body on to it. Vicky uttered a desperate little moan.

'You okay?' He looked up at her. 'Vicky?'

'Okay,' she said in a strangled voice.

He flipped the sides of the blanket over the body and scooped it up, hating the thick, dead weight of it. It tried to make a U in his arms and slither through his grasp. He clutched it tighter and they walked back to the T-Bird.

'Open the trunk,' he grunted.

The trunk was full of travel stuff, suitcases and souvenirs. Vicky shifted most of it into the back seat and Burt slipped the body into the made space and slammed the trunk lid down. A sigh of relief escaped him.

Vicky was standing by the driver's side door, still holding the cased rifle.

'Just put it in the back and get in.'

He looked at his watch and saw only fifteen minutes had passed. It seemed like hours.

'What about the suitcase?' she asked.

He trotted back down the road to where it stood on the white line, like the focal point in an Impressionist painting. He picked it up by its tattered handle and paused for a moment. He had a strong sensation of being watched. It was a feeling he had read about in books, mostly cheap fiction, and he had always doubted its reality. Now he didn't. It was as if there were people in the corn, maybe a lot of them, coldly estimating whether the woman could get the gun out of the case and use it before they could grab him, drag him into the shady rows, cut his throat -Heart beating thickly, he ran back to the car, pulled the keys out of the trunk lock, and got in.

Vicky was crying again. Burt got them moving, and before a minute had passed, he could no longer pick out the spot where it had happened in the rear-view mirror.

'What did you say the next town was?' he asked.

'Oh.' She bent over the road atlas again. 'Gatlin. We should be there in ten minutes.'

'Does it look big enough to have a police station?'

'No. It's just a dot.'

'Maybe there's a constable.'

They drove in silence for a while. They passed a silo on the left. Nothing else but corn. Nothing passed them going the other way, not even a farm truck.

'Have we passed anything since we got off the turnpike, Vicky?'

She thought about it. 'A car and a tractor. At that intersection.'

'No, since we got on this road, Route 17.'

'No.I don't think we have.' Earlier this might have been the preface to some cutting remark. Now she only stared out of her half of the windshield at the unrolling road and the endless dotted line.

'Vicky? Could you open the suitcase?'

'Do you think it might matter?'

'Don't know. It might.'

While she picked at the knots (her face was set in a peculiar way - expressionless but tight-mouthed - that Burt remembered his mother wearing when she pulled the innards out of the Sunday chicken), Burt turned on the radio again.

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