This almost certainly came from the table closest to his own, but all Mallory could see when he slightly turned his head was a salt-cellar on the corner of a tablecloth. There was no response to the question that had been asked, or none that he heard, and the silence that gathered went on. He leaned back in his chair, as if wishing to glance more easily at a framed black-and-white photograph on the wall – a street scene dominated by a towering flat-iron block. From what this movement allowed, he established that the girl who had been asked why she was crying wasn’t crying now. Nor was there a handkerchief clenched in the slender, fragile-seeming fingers on the tablecloth. A fork in her other hand played with the peas on her plate, pushing them about. She wasn’t eating.
A dressed-up child too young even to be at the beginning of a marriage, but instinctively Mallory knew that she was already the wife of the man who sat across the table from her. A white band drew hair as smooth as ebony back from her forehead. Her dress, black too, was severe in the same way, unpatterned, its only decoration the loop of a necklace that matched the single pearl of each small earring. Her beauty startled Mallory - the delicacy of her features, her deep, unsmiling eyes – and he could tell that there was more of it, lost now in the empty gravity of her discontent.
‘A better fellow than I am.’ Her husband was ruddy, hair tidily brushed and parted, the knot of a red silk tie neither too small nor clumsily large in its crisp white collar, his linen suit uncreased. Laughing slightly when there was no response, either, to his statement about someone else being a better fellow, he added: ‘I mean, the sort who gets up early.’
Mallory wondered if they were what he’d heard called Scott Fitzgerald people, and for a moment imagined he had wondered it aloud – as if, after all, Julia had again come to Venice with him. It was their stylishness, their deportment, the young wife’s beauty, her silence going on, that suggested Scott Fitzgerald, a surface held in spite of an unhappiness. ‘Oh but,’ Julia said, ‘he’s careless of her feelings.’
‘
‘I didn’t know Geoffrey got up early.’ At the table that was out of sight her voice was soft, the quietness of its tone registering more clearly than what it conveyed. Her husband said he hadn’t caught this. ‘I didn’t know he got up early,’ she repeated.
‘It’s not important that he does. It doesn’t matter what time the man gets up. I only said it to explain that he and I aren’t in any way alike.’
‘I know you’re not like Geoffrey.’
‘Why were you crying?’
Again there was no answer, no indistinct murmur, no lilt in which words were lost.
‘You’re tired.’
‘Not really.’
‘I keep not hearing what you’re saying.’
‘I said I wasn’t tired.’
Mallory didn’t believe she hadn’t been heard: her husband was closer to her than he was and he’d heard the ‘Not really’ himself. The scratchy irritation nurtured malevolence unpredictably in both of them, making her not say why she had cried and causing him to lie. My God, Mallory thought, what they are wasting!
‘No one’s blaming you for being tired. No one can help being tired.’
She didn’t take that up and there was silence while, again, the surface held and Mallory finished his Caesar salad. He was the only diner on his own in the upstairs restaurant, where for a moment on his arrival he had been faintly disappointed not to be recognized. He had recognized, himself, the features of the waiter who had led him to his table; there had later been that familiarity about the younger one; nor could he help remembering, from four years ago, the easy warmth of the welcome that had suggested stirrings of recognition then. But he hadn’t been a man on his own four years ago, and naturally it was difficult for restaurant waiters when they were presented with only part of what there’d been before. And perhaps he was a little more crumpled than before; and four years was a longer lapse of time than there ever was in the past.