Forsyth I. Narrative at Moissac: Schapiro’s Legacy // Gesta. 2002. Vol. 41. № 2. P. 71–93.
Gaborit-Chaupin D. Les dessins d’Adémar de Chabannes. Paris: Bibliothèque nationale, 1968
Gallazzi C., Settis S., eds. Le tre vite del papiro di Artemidoro. Voci e sguardi dall’ Egitto greco-romano: Catalogo della mostra (Torino, 8 febbraio — 7 maggio 2006). Torino: Mondadori Electa, 2006.
Gameson R. The early medieval Bible: its production, decoration, and use. Cambridge: Cambridge University Press, 1994.
Garnier F. Le langage de l’image au Moyen Age. Signification et symbolique. Paris: Le Léopard d’or, 1982.
Garrison E. B. Studies in the History of Medieval Italian Painting. 4 Vol. Florence: Pindar Press, 1953–1961.
Garrison E. B. A Note of the Iconography of Creation and of the Fall of Man in the XI and XII-century Rome // Studies in the History of Medieval Italian Painting. 1960–1962. V. 4.
Gebhardt O. van. Miniatures of the Ashburnham Pentateuch. London, 1883.
Grabar A. Les voies de la creation en iconographie chretienne. Paris: Flammarion, 1979.
Geymonat L. V. Drawing, Memory and Imagination in the Wolfenbüttel Musterbuch // Mechanisms of Exchange: Transmission in Medieval Art and Architecture in the Mediterranean, ca. 1000–1500. Leiden; Boston: Brill, 2012. P. 220–285.
Gibson-Wood C. The Utrecht Psalter and the Art of Memory // Revue d’art Canadienne. 1987. XIV (№ 1–2). P. 9–15.
Gillen O. Ikonographische Studien zum Hortus deliciarum der Herrad von Landsberg. Berlin: Deutscher Kunstverlag, 1931.
Goldschmidt A. English Influence on Medieval art // Medieval Studies in Memory of A. Kingsley Porter. Vol. 2. Cambridge: Harward University Press, 1939. P. 715–719.
Gousset M. T., Stirnemann P. Indication de couleurs dans les manuscrits medievaux, Pigments et colorants de l’ Antiquirte et du Moyen Age. Paris: CNRS, 1990.
Grabar A. Fresques romanes copiées sur les miniatures du Pentateuque de Tours // Cahiers archéologiques. 1957.Vol. IX. P. 329–341.
Grabar A. Les voies de la creation en iconographie chretienne. Paris: Flammarion, 1979.
Grabar A. L’ iconographie du ciel dans l’art chrétien de l’antiquité et du haut moyen âge // Cahiers archéologiques. 1982. Vol. XXX. P. 5–24.
Grabar A., Nordenfalk C. Romanesque Paintings. Milano: Skira, 1958.
Green R. B. The Adame and Eve Cycle in the Hortus Deliciarum // Late Classical and Mediaeval Studies in Honor of Albert Matthias Friend Jr. Princeton, 1955. P. 340–347.
Grote A. Studien zur Geschichte der Opera Santa Reparata zu Florenz in Vierzehnten Jahrhundert. München: Prestel, 1959.
Gutbrot J. Die Initiale in Handschriften des 8 bis 13 Jahrhunderts. Stuttgart: Kohlhammer, 1965.
Gutmann J. The Jewish Origin of the Ashburnham Pentateuch miniatures // Jewish Quaterly Rewiew. 1953. XLIX. № 1. P. 55–72.
James M. R. «Pictor in carmine» // Archaeologia. 1951. № 94. P. 141–166.
Hamel C. de. The Book. A History of the Bible. London; NY.: Phaidon, 2001.
Hahn C. The creation of the cosmos: Genesis illustration in the Octateuchs // Cahiers Archeologiques. 1979. Vol. XXVIII. P. 29–40.
Hahnloser H. R. Das Musterbuch von Wolfenbuttel. Wien: Schroll, 1929.
Hahnloser H. R., Buchtal H. The «Musterbuch» of Wolfenbuttel and its Position in the Art of the Thirteenth Century. Vienna, 1979.
Hahnloser H. R. Villard de Honnecourt. Wien: Verlag Anton Schroll, 1935.
Haney K. E. Some Old Testament Pictures in the Psalter of Henry de Blois // Gesta. 1985. Vol. XXIV/1. P. 33–45.
Haney K. The Immaculate Imagery of the Winchester Psalter // Gesta. 1981. Vol. XX/1. P. 111–118.
Haney K. E. The Winchester Psalter: An Iconographic Study. Leicester: Leicester University Press, 1986.
Haney K. E. The St. Albans psalter: an Anglo-Norman song of faith. NY.: Lang, 2002.
Hautecoeur L. Le Soleil et la lune dans les crucifixions // Revue archéologique. 1921. T. 14. P. 13–34.
Heimann A. Trinitas Creator Mundi // Journal of the Warburg and Courtauld Institute. Vol. II. 1938. № 1. P. 43–65.
Heimann A. Correction: The Six Days of Creation in a Twelfth Century Manuscript // Journal of the Warburg and Courtauld Institutes. Vol. XXV. № 1/2 (Jan. — Jun., 1962). P. 158.
Heimann A. The Last. Copy of the Utrecht Psalter // The Year 1200. A Symposium. NY.: Metropolitan Museum of Art, 1975. P. 313–338.
Heimann A. The Six Days o Creation in a XII-century manuscript // Journal of the Warburg and Courtauld Institutes. Vol. I. 1938. P. 269–275.
Heimann A. Three Illustrations from the Bury St. Edmunds Psalter and their prototypes // Journal of the Warburg and Courtauld Institute. 1966. Vol. XXIX. P. 39–59.
