Henderson G. «Abraham genuit Isaak». Transitions from the Old Testament to the New Testament in the Prefatory illustrations or some 12-centurys English Psalters // Gesta. 1987. Vol. XXVI/2. P. 127–140.
Henderson G. Late antique influences in some medieval English illustrations of Genesis // Journal of the Warburg and Courtauld Institutes. 1962. Vol. 25. № 3/4. P. 172–198.
Henderson G. A source of Genesis Cycle at Saint-Savin-sur-Gartempe // Studies in English Bible illustration. London, 1985. P. 110–126.
Henderson G. The Programme of Illustrations in Bodleian MS Junius Xl // Henderson G. Studies in English Bible Illustration. London: Harvey Miller, 1985. Vol. 1. P. 113–145
Heslop T. A. The production and artistry of the Bury Bible // Bury St. Edmunds. Medieval Art, Architecture, Archaeology and Economy. 1998. P. 172–185.
Hirst M., Bambach Cappel C. A Note on the Word Modello // The Art Bulletin Vol. LXXIV/1. March 1992. P. 172–173.
Hutter I. The Magdalen College «Muster»: A Painter’s Guide from Cyprus at Oxford // Medieval Cyprus. Studies in Art, Architecture and History of Doula Mouriki / Eds. by N. Patterson Ševčenbo and Ch Moss. Princeton: Princeton University Press, 1999.
Kantorowicz E. The Quinity of Winchester // The Art Bulletin. 1947. Vol. 29. № 2. P. 73–85.
Kauffmann C. M. Romanesque Manuscrits 1066–1190 (A Survey of Manuscripts Illuminated in the British Isles). Oxford: Harvey Miller, 1975.
Kauffmann C. M. Biblical Imagery in Medieval England 700–1500. Ghent: Brepols Publishers, 2003.
Kessler H. L. An Eleventh-century Ivory Plaque from South Italy and the Cassinese Revival // Jahrbuch der Berliner Museen. 1966. № 8 (1). P. 67–95.
Kessler H. L. Pictures as Scriptures in five-century church // Studia artium orientalis et occidentalis. Vol. II. 1985. P. 17–31.
Kessler H. L. The Illustrated Bibles from Tours. Princeton: Princeton University Press, 1977.
Kessler H. L. Hic homo formatur. The Genesis frontispieces of the Carolingian Bibles // Art Bulletin 1971. Vol. LIII. P. 143–160.
Kirshbaum E., ed. Lexicon der Christlishen konographie. B. 1–8. Rom; Freiburg im Breisgau; Basel; Wien, 1968–1976.
Kitzinger E. The Byzantine contribution to Western art of the XII and XIII centuries // The art of Byzantium and the medieval West. selected studies. London, 1975.
Kitzinger E. The mosaics of the Capella Palatina in Palermo // Art Bulletin. 1949. Vol. XXX. P. 269–292.
Kitzinger E. Mosaics of Monreale. Palermo: S. F. Flaccovio, 1960. P. 133–135.
Kinzinger E. Norman Sicily as a Source of Byzantine Influence on Western art in the Twelphth Century // Byzantine art — an European art. Athens: Office of the Minister to the Prime Minister of the Greek Government, 1966. P. 139–141.
Kitzinger E. A Virgin’s Face: Antiquarianism in XII-century art // Art Bulletin LXII, mars 1980. P. 6–19.
Klein H. The So-Called Byzantine Diptych in the Winchester Psalter, British Library, MS Cotton Nero C. IV // Gesta. 1998. Vol. XXXVII/1. P. 26–43.
Klein P. Les images de la Genèse de la Bible Carolingienne de Bamberg et la tradition des frontispices de Tours // Texte et image. Actes du Colloque international de Chantilly. Paris: Les Belles Lettres, 1984. P. 77–107.
Klein P. K. The Role of Prototypes and Models in the Transmission of Medieval Picture Cycles: The Case of the Beatus Manuscripts // The Use of Models in Medieval Book Painting. Cambridge: Cambridge Scholars Publishing, 2014.
Knapp U. Buch und Bild im Mittelalter. Gerstenberg, 1999.
Koetzsche-Breitenbruch L. Die neue Katakombe an der Via Latina in Rom. Untersuchungen zur Ikonographie der alttestamentlichen Wandmalereien. Aschendorff; Munster, 1979.
Koehler W. Die karolingischen Miniaturen. I. Die Schule von Tour. Berlin, 1930–1933.
Krasnodebska-D’ Aughton M. The decoration of In Principio Initials in early insular manuscripts: Christ. as a visible image of invisible God // Word and Image. 2002. № 18. P. 105–122.
Kurth B. Matthew Paris and Villard de Honnecourt // The Burlington Magazine for Connoisseurs. 1942. Vol. LXXXI. № 474. P. 224–228.
Labrador González I. M., Medianero Hernández J. M. Iconología del Sol y la Luna en las representaciones de Cristo en la cruz // Laboratorio de arte. № 17. 2003. P. 73–92.
Labrousse M. Etude iconographique et stylistique des initiales de la Bible de Souvigny // Cahiers de civilization medievale. 1965. Vol. VIII. P. 397–412.
Ladner G. B. Ad imaginem Dei. The image of man in medieval art. Latrobe: Archabbey Press, 1965.
Lampe G. W. The Cambridge History of the Bible. Cambridge: Cambridge University Press, 1969.
