Speak, Memory

I remember him as a slender, neat little man with a dusky complexion, gray-green eyes flecked with rust, a dark, bushy mustache, and a mobile Adam’s apple bobbing conspicuously above the opal and gold snake ring that held the knot of his tie. He also wore opals on his fingers and in his cuff links. A gold chainlet encircled his frail hairy wrist, and there was usually a carnation in the buttonhole of his dove-gray, mouse-gray or silver-gray summer suit. It was only in summer that I used to see him. After a brief stay in Rozhestveno he would go back to France or Italy, to his château (called Perpigna) near Pau, to his villa (called Tamarindo) near Rome, or to his beloved Egypt, from which he would send me picture postcards (palm trees and their reflections, sunsets, pharaohs with their hands on their knees) crossed by his thick scrawl. Then, in June again, when the fragrant cheryomuha (racemose old-world bird cherry or simply “racemosa” as I have baptized it in my work on “Onegin”) was in foamy bloom, his private flag would be hoisted on his beautiful Rozhestveno house. He traveled with half-a-dozen enormous trunks, bribed the Nord-Express to make a special stop at our little country station, and with the promise of a marvelous present, on small, mincing feet in high-heeled white shoes would lead me mysteriously to the nearest tree and delicately pluck and proffer a leaf, saying, “Pour mon neveu, la chose la plus belle au monde—une feuille verte.”

Or he would solemnly bring me from America the Foxy Grandpa series, and Buster Brown

—a forgotten boy in a reddish suit: if one looked closely, one could see that the color was really a mass of dense red dots. Every episode ended in a tremendous spanking for Buster, which was administered by his wasp-waisted but powerful Ma, who used a slipper, a hairbrush, a brittle umbrella, anything—even the bludgeon of a helpful policeman—and drew puffs of dust from the seat of Buster’s pants. Since I had never been spanked, those pictures conveyed to me the impression of strange exotic torture not different from, say, the burying of a popeyed wretch up to his chin in the torrid sand of a desert, as represented in the frontispiece of a Mayne Reid book.

4

Uncle Ruka seems to have led an idle and oddly chaotic life. His diplomatic career was of the vaguest kind. He prided himself, however, on being an expert in decoding ciphered messages in any of the five languages he knew. We subjected him to a test one day, and in a twinkle he turned the sequence “5.13 24.11 13.16 9.13.5 5.13 24.11” into the opening words of a famous monologue in Shakespeare.

Pink-coated, he rode to hounds in England or Italy; fur-coated, he attempted to motor from St. Petersburg to Pau; wearing an opera cloak, he almost lost his life in an airplane crash on a beach near Bayonne. (When I asked him how did the pilot of the smashed Voisin take it, Uncle Ruka thought for a moment and then replied with complete assurance: “Il sanglotait assis sur un rocher.”) He sang barcaroles and modish lyrics (“Ils se regardent tous deux, en se mangeant des yeux …” “Elle est morte en Février, pauvre Colinette! …” “Le soleil rayonnait encore, j’ai voulu revoir les grands bois

.…” and dozens of others). He wrote music himself, of the sweet, rippling sort, and French verse, curiously scannable as English or Russian iambics, and marked by a princely disregard for the comforts of the mute e’s. He was extremely good at poker.

Because he stammered and had difficulty in pronouncing labials, he changed his coachman’s name from Pyotr to Lev; and my father (who was always a little sharp with him) accused him of a slaveowner’s mentality. Apart from this, his speech was a fastidious combination of French, English and Italian, all of which he spoke with vastly more ease than he did his native tongue. When he resorted to Russian, it was invariably to misuse or garble some extremely idiomatic or even folksy expression, as when he would say at table with a sudden sigh (for there was always something amiss—a spell of hay fever, the death of a peacock, a lost borzoi): “Je suis triste et seul comme une bylinka v pole [as lonesome as a ‘grass blade in the field’].”