The Golden Spiders (Crime Line)

After going to the corner and crossing the avenue and coming back on the other side, I stopped smack in the middle of the entrance for a look. No one was in sight, but of course there could have been several platoons deployed among the congregation of cars and buses. I slipped in and to the left, behind a delivery truck, and stood and listened. There were faint sounds of movements, and then somewhere in the rear someone started to whistle “Oh, What a Beautiful Mornin’.” As the whistler came nearer, off to the right, I edged around to the end of the truck. He finished his tune, but his footsteps were just as good on the concrete floor. He kept to the right-his left-almost to the entrance, and then a door opened and closed. He had gone into the office.

I moved fast but quietly, over nearly to the wall and then toward the rear through the maze of vehicles. When bumpers touched I detoured rather than risk a loose bolt under my weight. Halfway back I saw an objective, wooden stairs going up near the corner, and I made for it, but as I approached I became aware of a better objective. There were also steps going down, and up through the opening came the sound of voices. One of them was Fred’s. I went and stood at the top of the steps but couldn’t catch any words.

There’s only one way to reconnoiter in such a situation without exposing your feet and legs before your eyes have a chance. I lay down on my left side with my shoulder above the first step, gripped the upright with my right hand, and gently inched down until my eye was level with the basement ceiling. At first I saw nothing but another maze of cars and parts of cars, fading into darkness, but as I twisted my head around, nearly breaking my neck, I saw and heard that the voices were coming through a doorway in a partition that was apparently one wall of a built-in room. The door was open, but people in the room couldn’t see the stairs unless they came to the door for a look.