This anomaly is, perhaps, partly explained in the fact that Arrian did explicitly follow Xenophon as a master, since one never expects to rank the follower on a par with the originator. But the truer explanation is probably that Arrian lived at a late period, after the glory of Greece, as the literary centre of the world, had quite departed; and it has been customary to regard all works of this later period, with their necessary alterations of style, representing the time of degeneracy of the Greek language, as things to be looked at askance by lovers of that language in its purity. Then, too, perhaps, the very importance of Arrian’s subject may have been detrimental to the permanent popularity of his work. There was no possible reason why any other writer should take up in great detail the story of the
Each succeeding generation of historians must then judge for itself, as is the prerogative of the critic, among the various contradictory stories that have come down to us, and must weigh anew the evidence of this side or that, and make for itself a new story of Alexander.
Assmann
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