"The coin has two sides. It's the only coin that comes up at this time, but it still has two sides." Hagbard leaned forward intensely. "It's mechanical
THREE O'CLOCK TWO O'CLOCK ONE O'CLOCK ROCK
I became a cop because of Billie Freshette. Well, I don't want to jive you- that wasn't the whole reason. But she sure as hell was one bodacious big part of the reason, and that's the curious thing about what finally happened, and how Milo Flanagan assigned me to infiltrate the Lincoln Park anarchist group, getting me in right up to my black ass in all that international intrigue and yoga-style balling with Simon Moon. But maybe I should start over from the beginning again, from Billie Freshette. I was a little kid and she was an old woman- it was in the early 1950s, you see (Hassan i Sabbah X was operating in the open then, going around the South Side preaching that the greatest of the White Magicians had just died recently in England and now the age of the Black Magicians was beginning; everybody thought he was one stone-crazy stud), and my father was a cook in a restaurant on Halsted. He pointed her out to me on the street once (it must have been just a while before she went back to the reservation in Wisconsin to die). "See that old woman, child? She was John Dillinger's girl friend."
Well, I looked, and I saw she was really heavy and together and that whatever the law had done to her never broke her, but I also saw that sorrow hung around her like a dark halo. Daddy went on and told me a lot more about her, and about Dillinger, but it was the sorrow that got printed all over every cell in my little baby brain. It took years for me to figure it out, but what it really meant, as an omen or conjure, was that she was basically just like the women of the black gang leaders on the South Side, even if she was an Indian. There's just one way for a black in Chicago, and that's to join a gang- Solidarity Forever, as Simon would say- but I dug that there was only one gang that was really safe, the biggest gang of all, Mister Charlie's boys, the motherfucking establishment
I guess every black cop has that in the back of his head, before he finds out that we never really can join mat gang, not as full members anyway. I found out quicker, being not just black but female. So I was in the gang, the baddest and heaviest gang, but I was always looking for something better, the impossible, the boss gimmick that would get me off the Man's black-and-white chessboard entirely into some place where I was myself and not just a pawn being moved around at Charlie's whim.
Otto Waterhouse never had that feeling, at least not until near the end of the game. I never did get inside his head enough to know what was going on there (he was a real cop and got into my head almost as soon as we met, and I could always feel him watching me, waiting for the time when I would round on Charlie and go over to the other side), so the best I can do in making him is to say that he was no Tom in the ordinary sense: He didn't screw blacks for the Man, he screwed blacks for himself; it was strictly his own trip.
Otto was my drop after I got assigned to underground work. We met in a place that I could always have an excuse to visit, a rundown law firm called Washington, Weishaupt, Budweiser and Kief, on 23 North Clark. Later, for some reason I was never told, they changed the name to Ruly, Kempt, Sheveled and Couth, and then to Weery, Stale, Flatt and Profitable, and to keep up the front they actually did hire a couple of lawyers and did some real law work for a corporation called Blue Sky, Inc.