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To come within the walls was itself something of an excitement to those of the mud huts and something which in the normal course of events was reserved for the day of the Bright Carvings, but to be within the castle itself was something unique. Yet Keda did not seem impressed and had not troubled to ask Mrs Slagg any questions nor even so much as glance about her. Poor Mrs Slagg felt this was something of an impertinence but did not know whether or not she ought to say something about it.

But Titus had stolen the limelight and Keda’s indifference was soon forgotten, for he was beginning to cry, and his crying grew and grew in spite of Mrs Slagg’s dangling a necklace in front of his screwed up eyes and an attempt at singing a lullaby from her half-forgotten store. She had him over her shoulder, but his shrill cries rose in volume. Keda’s eyes were still upon the wall, but of a sudden, breaking herself away from the window, she moved up behind Nannie Slagg and, as she did so, parted the dark brown material from her throat and freeing her left breast, took the child from the shoulders of the old woman. Within a few moments the little face was pressed against her and struggles and sobs were over. Then as she turned and sat at the window a calm came upon her as from her very centre, the milk of her body and the riches of her frustrated love welled up and succoured the infant creature in her keeping.



‘FIRST BLOOD’


Titus, under the care of Nannie Slagg and Keda, developed hourly in the western wing. His weird little head had changed shape, from day to day as the heads of infants do, and at last settled to its own proportion. It was both long and of a bulk that promised to develop into something approaching the unique.

His violet eyes made up, in the opinion of Mrs Slagg, for any strangeness in the shape of his head and features which were, after all, nothing extraordinary for a member of his family.

Even from the very first there was something lovable about Titus. It is true that his thin crying could be almost unbearable, and Mrs Slagg, who insisted upon having the whole charge of him between his meals, was driven at times to a kind of fluttering despair.

On the fourth day the preparations for his christening were well in hand.

This ceremony was always held in the afternoon of the twelfth day, in a pleasant open room on the ground level, which, with its bay windows, gave upon the cedar trees and shaven lawns that sloped away to the Gormenghast terraces where the Countess walked at dawn with her snow-white cats.

The room was perhaps the most homely and at the same time the most elegant in the castle. There were no shadows lurking in the corners. The whole feeling was of quiet and pleasing distinction, and when the afternoon sun lit up the lawns beyond the bay windows into a green-gold carpet, the room with its cooler tints became a place to linger in. It was seldom used.

The Countess never entered it, preferring those parts of the castle where the lights and the shadows were on the move and where there was no such clarity. Lord Sepulchrave was known to walk up and down its length on rare occasions and to stop and stare at the cedars on the lawn as he passed the window, and then to leave the room again for a month or two until the next whim moved him.

Nannie Slagg had on a few occasions sat there, furtively knitting with her paper bag of wool on the long refectory table in the centre, and the high back of the carved chair towering over her. Around her the spaciousness of the temperate room. The tables with their vases of garden flowers, plucked by Pentecost, the head gardener. But for the most part the room was left empty week after week, saving for an hour in the morning of each day when Pentecost would arrange the flowers. Deserted as the room was, Pentecost would never permit a day to pass in which he had not changed the water in the vases and refilled them again with taste and artistry, for he had been born in the mud huts and had in his marrow the love and understanding of colour that was the hallmark of the Bright Carvers.

On the morning of the christening he had been out to cut the flowers for the room. The towers of Gormenghast rose into the morning mists and blocked away a commotion of raw cloud in the eastern sky. As he stood for a moment on the lawns he looked up at the enormous piles of masonry and could vaguely discern among the shadows the corroded carvings and broken heads of grey stone.

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Титус Гроан
Титус Гроан

В огромном мрачном замке, затерянном среди высоких гор, переполох и великая радость: родился наследник древнего рода, семьдесят седьмой граф Горменгаст. Его удивительным фиолетовым глазам предстоит увидеть немало странных и страшных событий, но пока он всего лишь младенец на трясущихся от волнения руках своей старенькой няни.Он — предмет внимания окружающих. Строго и задумчиво смотрят глаза его отца, графа; отрешенно — глаза огромной огненноволосой женщины, его матери; сердито — черные глаза замкнутой девочки в алом платье, его сестры; любопытно и весело прищуриваются глаза придворного врача; и недобро смотрит из тени кто-то высокий и худой, с опущенной головой и вздернутыми острыми плечами.Быт замка подчинен сети строжайших ритуалов, но под покровом их торжественной неторопливости кипят первобытные страсти: ненависть, зависть, жажда власти, жажда любви, жажда свободы.Кружит по темным коридорам и залам хоровод персонажей, начертанных гротескно и живо.Читатель, ты станешь свидетелем многих мрачных событий. Рождение Титуса не было их причиной, но именно с него все началось…

Мервин Пик

Фантастика / Эпическая фантастика

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