The James Bond Anthology

The truth of the matter was that Dexter Smythe had arrived at the frontier of the death-wish. The origins of this state of mind were many and not all that complex. He was irretrievably tied to Jamaica, and tropical sloth had gradually riddled him so that while outwardly he appeared a piece of fairly solid hardwood, under the varnished surface the termites of sloth, self-indulgence, guilt over an ancient sin and general disgust with himself had eroded his once hard core into dust. Since the death of Mary two years before, he had loved no one. He wasn’t even sure that he had really loved her, but he knew that, every hour of the day, he missed her love of him and her gay, untidy, chiding and often irritating presence, and though he ate their canapés and drank their martinis, he had nothing but contempt for the international riff-raff with whom he consorted on the North Shore. He could perhaps have made friends with the soldier elements, the gentleman-farmers inland, or the plantation owners on the coast, the professional men and the politicians, but that would mean regaining some serious purpose in life which his sloth, his spiritual accidie, prevented, and cutting down on the bottle, which he was definitely unwilling to do. So Major Smythe was bored, bored to death, and, but for one factor in his life, he would long ago have swallowed the bottle of barbiturates he had easily acquired from a local doctor. The lifeline that kept him clinging to the edge of the cliff was a tenuous one. Heavy drinkers veer towards an exaggeration of their basic temperaments, the classic four – Sanguine, Phlegmatic, Choleric and Melancholic. The Sanguine drunk goes gay to the point of hysteria and idiocy. The Phlegmatic sinks into a morass of sullen gloom. The Choleric is the fighting drunk of the cartoonists who spends much of his life in prison for smashing people and things, and the Melancholic succumbs to self-pity, mawkishness and tears. Major Smythe was a Melancholic who had slid into a drooling fantasy woven around the birds and insects and fish that inhabited the five acres of Wavelets (the name he had given his small villa is symptomatic), its beach and the coral reef beyond. The fish were his particular favourites. He referred to them as ‘people’ and, since reef fish stick to their territories as closely as do most small birds, after two years he knew them all intimately, ‘loved’ them and believed that they loved him in return.

They certainly knew him, as the denizens of zoos know their keepers, because he was a daily and a regular provider, scraping off algae and stirring up the sand and rocks for the bottom-feeders, breaking up sea eggs and urchins for the small carnivores and bringing out scraps of offal for the larger ones, and now, as he swam slowly and heavily up and down the reef and through the channels that led out to deep water, his ‘people’ swarmed around him fearlessly and expectantly, darting at the tip of the three-pronged spear they knew only as a prodigal spoon, flirting right up to the glass of the Pirelli and even, in the case of the fearless, pugnacious demoiselles, nipping softly at his feet and legs.

Part of Major Smythe’s mind took in all these brilliantly coloured little ‘people’, but today he had a job to do and while he greeted them in unspoken words –‘Morning, Beau Gregory’ to the dark-blue demoiselle sprinkled with bright-blue spots, the ‘jewel fish’ that exactly resembles the starlit fashioning of a bottle of Worth’s ‘Vol de Nuit’; ‘Sorry. Not today, sweetheart’ to a fluttering butterfly fish with false black ‘eyes’ on its tail and, ‘You’re too fat anyway, Blue Boy’ to an indigo parrot fish that must have weighed a good ten pounds – his eyes were searching for only one of his ‘people’ – his only enemy on the reef, the only one he killed on sight, a scorpion fish.