* # 3 But, among all your plausible arguments, and witty illustrations, your contempt for the poor always appears conspicuous, and rouses my indignation. The following paragraph in particular struck me, as breathing the most tyrannic spirit, and displaying the most factitious feelings. "Good order is the foundation of all good things. To be enabled to acquire, the people, without being servile, must be tractable and obedient. The magistrate must have his reverence, the laws their authority. The body of the people must not find the principles of natural subordination by art rooted out of their minds. They must respect that property of which they cannot partake. They must labor to obtain what by labor can be obtained; and when they find, as they commonly do, the success disproportioned to the endeavor, they must be taught their consolation in the final proportions of eternal justice. Of this consolation, whoever deprives them, deadens their industry, and strikes at the root of all acquisition as of all conservation. He that does this, is the cruel oppressor, the merciless enemy, of the poor and wretched; at the same time that, by his wicked speculations, he exposes the fruits of successful industry, and the accumulations of fortune, (ah! there's the rub)7 to the plunder of the negligent, the disappointed, and the unprosperous."
This is contemptible hard-hearted sophistry, in the specious form of humility, and submission to the will of Heaven.-�It is, Sir, possible to render the poor happier in this world, without depriving them of the consolation which you gratuitously grant them in the next. They have a right to more comfort than they at present enjoy; and more comfort might be afforded them, without encroaching on the pleasures of the rich: not now waiting to enquire whether the rich have any right to exclusive pleasures. What do I say?�encroaching! No; if an intercourse were established between them, it would impart the only true pleasure that can be snatched in this land of shadows, this hard school of moral discipline.
I know, indeed, that there is often something disgusting in the distresses of poverty, at which the imagination revolts, and starts back to exercise itself in the more attractive Arcadia of fiction. The rich man builds a house, art and taste give it the highest finish. His gardens are planted, and the trees grow to recreate the fancy of the planter, though the temperature of the climate may rather force him to avoid the dangerous damps they exhale, than seek the umbrageous retreat. Every thing on the estate is cherished but man;�yet, to
7. Cf. Shakespeare's Hamlet 3.1.67. The "rub" is the flaw in the reasoning.
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contribute to the happiness of man, is the most sublime of all enjoyments. But if, instead of sweeping pleasure-grounds, obelisks, temples, and elegant cottages, 8 as objects for the eye, the heart was allowed to beat true to nature, decent farms would be scattered over the estate, and plenty smile around. Instead of the poor being subject to the griping hand of an avaricious steward, they would be watched over with fatherly solicitude, by the man whose duty and pleasure it was to guard their happiness, and shield from rapacity the beings who, by the sweat of their brow, exalted him above his fellows.
I could almost imagine I see a man thus gathering blessings as he mounted the hill of life; or consolation, in those days when the spirits lag, and the tired heart finds no pleasure in them. It is not by squandering alms that the poor can be relieved, or improved�it is the fostering sun of kindness, the wisdom that finds them employments calculated to give them habits of virtue, that meliorates their condition. Love is only the fruit of love; condescension and authority may produce the obedience you applaud; but he has lost his heart of flesh who can see a fellow-creature humbled before him, and trembling at the frown of a being, whose heart is supplied by the same vital current, and whose pride ought to be checked by a consciousness of having the same infirmities.
s fc $
1790
8. A reference to the vogue for picturesque landscaping on aristocratic estates. THOMAS PAINE