The Year's Best Science Fiction, Vol. 20

The locked gates and various doorways know him-recognize him at a glance-but they have to taste him anyway. They have to test him. Three people were expected, and he can’t explain in words what has happened. He just says, “The others will be coming later,” and leaves that lie hanging in the air. Then as he passes through the final doorway, he says, “Let no one through. Not without my permission first.”

“This is your mother’s house,” says the door’s AI.

“Not anymore,” he remarks.

The machine grows quiet, and sad.

During any other age, his home would be a mansion. There are endless rooms, rooms beyond counting, and each is enormous and richly furnished and lovely and jammed full of games and art and distractions and flourishes that even the least aesthetic soul would find lovely. He sees none of that now. Alone, he walks to what has always been his room, and he sits on a leather recliner, and the house brings him a soothing drink and an intoxicating drink and an assortment of treats that sit on the platter, untouched.

For a long while, the boy stares off at the distant ceiling, replaying everything with his near-perfect memory. Everything. Then he forgets everything, stupidly calling out, “Mother,” with a voice that sounds ridiculously young. Then again, he calls, “Mother.” And he starts to rise from his chair, starts to ask the great empty house, “Where is she?”

And he remembers.

As if his legs have been sawed off, he collapses. His chair twists itself to catch him, and an army of AIs brings their talents to bear. They are loyal, limited machines. They are empathetic, and on occasion, even sweet. They want to help him in any fashion, just name the way… but their appeals and their smart suggestions are just so much noise. The boy acts deaf, and he obviously can’t see anything with his fists jabbed into his eyes like that, slouched forward in his favorite chair, begging an invisible someone for forgiveness…

THE SPEAKER

He squats and uses the tip of a forefinger to dab at the puddle of semen, and he rubs the finger against his thumb, saying, “Think of cells. Individual, self-reliant cells. For most of Earth’s great history, they ruled. First as bacteria, and then as composites built from cooperative bacteria. They were everywhere and ruled everything, and then the wild cells learned how to dance together, in one enormous body, and the living world was transformed for the next seven hundred million years.”

Thumb and finger wipe themselves dry against a hairy thigh, and he rises again, grinning in that relentless and smug, yet somehow charming fashion. “Everything was changed, and nothing had changed,” he says. Then he says, “Scaling,” with an important tone, as if that single word should erase all confusion. “The bacteria and green algae and the carnivorous amoebae weren’t swept away by any revolution. Honestly, I doubt if their numbers fell appreciably or for long.” And again, he says, “Scaling,” and sighs with a rich appreciation. “Life evolves. Adapts. Spreads and grows, constantly utilizing new energies and novel genetics. But wherever something large can live, a thousand small things can thrive just as well, or better. Wherever something enormous survives, a trillion bacteria hang on for the ride.”

For a moment, the speaker hesitates.

A slippery half-instant passes where an audience might believe that he has finally lost his concentration, that he is about to stumble over his own tongue. But then he licks at the air, tasting something delicious. And three times, he clicks his tongue against the roof of his mouth.

Then he says what he has planned to say from the beginning.

“I never know whom I’m speaking to,” he admits. “I’ve never actually seen my audience. But I know you’re great and good. I know that however you appear, and however you make your living, you deserve to hear this:

“Humans have always lived in terror. Rainstorms and the eclipsing moon and earthquakes and the ominous guts of some disemboweled goat-all have preyed upon our fears and defeated our fragile optimisms. But what we fear today-what shapes and reshapes the universe around us-is a child of our own imaginations.

“A whirlwind that owes its very existence to glorious, endless us!”

ABLE

The boy stops walking once or twice, letting the fat leopard keep pace. Then he pushes his way through a last wall of emerald ferns, stepping out into the bright damp air above the rounded pool. A splashing takes him by surprise. He looks down at his secret pool, and he squints, watching what seems to be a woman pulling her way through the clear water with thick, strong arms. She is naked. Astonishingly, wonderfully naked. A stubby hand grabs an overhanging limb, and she stands on the rocky shore, moving as if exhausted, picking her way up the slippery slope until she finds an open patch of halfway flattened earth where she can collapse, rolling onto her back, her smooth flesh glistening and her hard breasts shining up at Able, making him sick with joy.