As they got closer, the sheer magnitude of the house jumped out at him. It was a hodgepodge of gables and chimneys, pale, weathered brick rendered over a visible Tudor exoskeleton of dark purplish timbers. Through the hedge, he could see that the central face of the house was completely clad in ivy cut away from white-framed leaded windows by someone who seemed to lack a facility for right angles and straight lines. The pitched and multiangled slate roof was slimy and moss green, more animate than inanimate. What he could see of the tangled front garden beds suggested they were, at best, lightly tended.
Passing through a generous, hedge-formed portico, the lane turned into a circular drive. The cab crunched to a halt on gravel near a latticed, oak door. The front windows were dead and reflective. “Dark as a tomb in there,” the driver said. “Want me to wait?”
Will got out and paid. There was a wisp of smoke coming from one of the chimneys. He cut the man loose. “I’m good,” he said, shouldering his bag. He pressed the buzzer and heard a faint interior chime. The taxi disappeared through the second hedged portico, back to the lane.
The entrance was unprotected from the elements, and while he listened for signs of life, his hair was slicking with rain. After a good minute, he pressed the buzzer again, then used his knuckles for emphasis.
The woman who opened the door was wetter than he was. She’d obviously been caught in the shower and without time to towel off had thrown on a pair of jeans and a shirt.
She was tall and graceful, a cultured, expressive face with confident eyes, skin, young and fresh, the color of buttermilk. Her clavicle-length blond hair was dripping onto her cotton shirt, and the outline of her breasts showed through its wet translucency.
“I’m terribly sorry,” she said. “It’s Mr. Piper, isn’t it?”
She’s gorgeous, he thought, not what he needed right now. He nodded, and said, “Yes ma’am,” like a polite Southern gentleman, and followed her inside.
THE HOUSEKEEPER’S AT CHURCH, Granddad’s deaf as a post, and I was in the shower, so you, I’m afraid, were left standing out in this wretched weather.”
The entrance hall was indeed dark, a two-story paneled vault with a staircase ascending to a gallery landing. Will felt that it was as inviting as a museum, and he started worrying he’d clumsily knock over a porcelain plate, a clock, or a vase. She flicked a switch, and a giant Waterford chandelier started glowing over their heads as if a bottle rocket had exploded.
She took his coat and hung it on a hatstand and parked his bag though he insisted on keeping his briefcase with him. “Let’s get you to the fire, shall we?”
The centerpiece of the dimly lit Tudor Great Hall was a massive hearth, large enough to roast a pig. The fireplace frame was as dark as ebony, ornately carved, and shiny with antiquity. It had a chunky mantel and a straight-lined, medieval appearance, but at some point in its history someone had been stricken with a Continental bug and overlain the hardwood fascia with a double row of blue-and-white Delft tiles. There was a modest fire, which seemed small and disproportionate to the size of the vault, going. The chimney wasn’t drawing well, and wisps of smoke were backing into the room and floating up to the high, walnut-beamed ceiling. Out of courtesy he tried not to clear his throat, but he couldn’t suppress it.
“Sorry about the smoke. Got to do something about that.” She pointed him to a soft, lumpy arm chair closest to the flames. When he sat on it, he detected a whiff of urine, astringent and acid. She bent over and placed another couple of logs on the fire and prodded the stack with a poker. “I’ll just put a pot of coffee on and make myself a bit more presentable. I promise I won’t be long.”
“Take your time, I’m fine, ma’am.”
“It’s Isabelle.”
He smiled at her. “Will.”
Through watery, irritated eyes, Will took in the room. It was windowless, densely packed with furniture and centuries of bric-a-brac. The zone near the hearth seemed the place that was most functional and lived-in. The sofas and chairs were twentieth-century, designed for cushioned comfort, a few high-intensity reading lights, tables littered with newspapers and magazines, tea and coffee mugs scattered about, careless white rings from wet glasses imprinting the wood. The middle and borders of the Great Hall were more museumlike, and if Henry VIII had just arrived from a hunt, he would have felt at ease with its Tudor airs and splendor. The coffered, walnut walls were covered to the beams in tapestries, taxidermy, and paintings, dozens of dour-faced and bearded Cantwells peering down from their sooty canvases in their frilly collars, robes, and doublets, a gallery of men’s high fashion throughout the ages. The mounted stags’ heads, locked in surprise at their moment of death, were a reminder how these men had spent their leisure.