The boat rocked softly on the swells, serene and stable, rocked like a cradle, like the big lumpy bed with the Magic Fingers massage in the motel they’d stumbled across her first night in Georgia. There was a breeze too, salt and sweet at the same time, gentle, but just strong enough to keep the mosquitoes at bay. The only sound was of the water caressing the hull, soothing, rhythmic, a run and trickle that played in her head with the strains of a folk song she’d forgotten ten years ago. The stars were alive and conscious. The champagne was cold. He didn’t answer.
Ruth Dershowitz was lying naked in the bow of Saxby Lights’s eighteen-foot runabout. (Actually, the boat belonged to his mother, as did everything else in and attached to the big house on Tupelo Island.) Saxby was stretched out beside her, the drowsy flat of his cheek pressed to the swell of her breast. Each time the boat dipped beneath her, the friction of his fashionable stubble sent small fires burning all the way down to her toes. Five minutes earlier Saxby had knelt before her, adjusted her hips on the broad, flat plank of the seat, stroked open her thighs and moved himself into her. Ten minutes before that she’d watched him grow hard in the dimming light as he sat across from her and tried, unsuccessfully, to inflate a plastic air mattress to cushion them. She’d watched him, bemused and excited, until finally she’d whispered, “Forget it, Sax—just come over here.” Now he was asleep.
For a while she listened to the water and thought nothing. And then the image of Jane Shine, her enemy, rose up before her and she banished it with a vision of her own inevitable triumph, her own inchoate stories jelling into art, conquering magazines and astonishing the world, and then she was thinking about the big house, thinking about her fellow writers, the sculptors and painters and the single walleyed composer whose music sounded like slow death in the metronome factory. She’d been among them for a week now, one week of an indefinite stay—a succession of months that came alive in her mind, months with little gremlin faces and hunched shoulders, leapfrogging into the glorious, limitless, sunlit and rent-free future. No more waitressing, no more hack work, no more restaurant reviews,
She had connections.
The thought lulled her, and before she knew it she was drifting off, drawn down into the murk of the unconscious by the champagne, the blanket of the night and the luxurious undulations of the boat, and soon the streaking white forms of sea creatures moved through her dream. She was in the water, floating, and a dozen pallid shapes rushed at her like torpedoes and she cried out … but it was all right, she was in Saxby’s boat and the stars were alive and she was awake—for an instant—before she fell back into her dream. Porpoises, they were only porpoises, she saw now, and they frolicked with her, poked their bottle snouts between her legs and hoisted her onto their slick and streamlined shoulders … but then something went wrong and she was alone in the water again and there was something else there, a shadow rising from the depths, sinister and quick, and it hit her, hard, with a thump that woke her. “Sax?” she said, and at first she thought a boat had run into them because of the lights, because of the lack of lights—she wasn’t thinking clearly—“Sax? Did you feel that?”
Saxby was a heavy sleeper. She’d been with him once in California when he slept through three blasts of the clock radio, an earthquake severe enough to knock the pictures off the wall and a practice session the university marching band had held on the field behind his apartment. “Wha’?” he said, “huh?” and his head slowly lifted itself from her chest. “Feel what?”
And then all at once Saxby froze. She was lying back, watching him, when she felt his muscles go tense and heard his grunt of surprise—“What in hell?”—and then she looked up and locked eyes with an apparition. A face, ghostly and astonishing in the blanched light of the moon, hovered over the stern; beneath it, a pair