And then he understood. The music. It was a routine she’d impressed on him. It meant nothing to him—he liked American music, personally, disco and soul, Michael Jackson, Donna Summer, Little Anthony and the Imperials—but he knew what she wanted. And he needed time here and she was kind to him and he didn’t mind, didn’t mind at all. He released the chair, stepped back a pace, composed himself, and began, as best he could and with the sweeping muscular movements of the long-distance swimmer, to conduct.
Later, after Barton had been fed and changed and wheeled out into the shade for some air; after Dolly had appeared and vanished again like a domestic ghost, only the faintest click of plate and cutlery giving her away; and after Ambly Wooster had spilled her continents, her oceans, her worlds of breath and gone up to take her afternoon nap, Hiro strolled out to sit beside the pool and grow strong again.
He felt safe here, the space enclosed and cultivated in a proper and proportionate way. And the water—it had been milky the first day, but he’d found the chemicals, the chlorine and acid, and stirred them in, and overnight it had become pellucid—the water soothed him. Throughout the afternoon, as the sun mounted in the sky and the heat rose, he plunged in and out of the pool in the swimming trunks Ambly Wooster had provided for him, frolicking like a seal. And each time he entered the pool, he felt that much cleaner, that much more human, that much further removed from the swamp. He lay back, drying in the sun, and watched the gulls sail across the sky, and when Dolly, eyes averted, slipped up on him with a plate of sandwiches and fruit, he ate with quiet satisfaction and with a deep and abiding gratitude.
America wasn’t so bad after all, he began to think. And he even entertained a brief fantasy of staying on here and becoming Seiji, whoever he was, and of looking up his father in the telephone directory and inviting him down. They could swim together, he and his father, and together, with concentration and patience, they could poke holes in Ambly Wooster’s breathless monologue and come up for air. But then he knew he was being unrealistic, dreaming, letting his mind drift, knew that they’d pin him down here sooner or later. He was on an island—an island, of all places—and he had to get off it. He thought of asking the old lady to drive him to the mainland in the back of her car, but of course there were problems with that. Just getting her to shut up long enough to put the proposition to her seemed an almost insurmountable obstacle, to begin with. And what would he tell her—that he was a criminal, an outlaw, a vandal? That he wasn’t Seiji after all? And where
A boat, he thought. Perhaps he could beg a rowboat or a little catamaran, a Sunfish, anything. How far could the mainland be? He was thinking about this theoretical boat, the chance of the waves and the stinking festering cesspool of a marsh that was sure to form a barrier round this elusive mainland, when he became aware that someone was staring at him. He looked up and there he was, the last man in the world he wanted to see.
But no: it was a bad dream. He was hallucinating. It couldn’t be. But then the hallucination moved, and he saw that he wasn’t dreaming at all, and that the Negro, the cannibal, the madman who’d fired on him with a gun when he was defenseless and hungry and half dead from drowning, was as palpable as the sun in the sky. And worse: that he had a weapon in his hand—a