Читаем East is East полностью

All right, it was true—he had gotten a little carried away, what with the champagne and the music and the general high-spirited roar of the festivities, and for long stretches at a time he’d forgotten Ruth altogether. He was enjoying himself—was that a crime? She was late. She was dressing. I’ll catch up with you later, she said. And so he found himself standing at the bar, all dressed up and nowhere to go, and he found Jane Shine standing there beside him. “Hi,” she said, and he returned the greeting, social animal that he was, and she took a breath and said that Irving had told her he was interested in aquaria—that’s how she put it: “interested in aquaria”—and he was hooked. She’d had several tanks as a girl, and her ex-husband had taken her up the Orinoco in a pirogue and there they’d met Herbert Axelrod himself. The patron saint of aquarists was on a collecting trip, and he took them back to his base camp for a dinner of piracuru and onions and showed them a tank crowded with a new species of characin he’d discovered just that morning.

To Saxby, it was the voice of heaven.

When it began to get late and Ruth still hadn’t appeared, he crossed the lawn to the house, went up to her room and knocked for the fourth time that evening. There was no answer. He put his head in the door and saw that she was gone. Puzzled, he checked the two upstairs bathrooms, made a quick circuit of the parlor and veranda, and cut back across the lawn to the party, figuring he’d somehow missed her in the crush. He circulated through the crowd, looking for her, and he took a glass of champagne, and when somebody put a plate of food in his hand, he ate. She wasn’t on the dance floor, and she wasn’t at the bar. He had a bourbon on the rocks, and then another. He talked with Sandy, Abercorn, Regina and Thalamus. Thalamus had seen her an hour or so ago, he thought, heading away from the bar—had he looked on the dance floor? Saxby assured him that he had, and then he downed another bourbon while contemplating the mystery of it all. He went back to the house and asked everyone he ran into if they’d seen her, and he checked the bathrooms again, and the kitchen. She’d vanished.

Back at the party, he had a bourbon with Wellie Peagler and washed it down with a glass of champagne. Wellie was representing a group of investors who wanted to build a golf course and resort on the island, and before he knew it, Saxby was arguing passionately for the inviolability of Tupelo and the claims of historicity, and he snatched a glass of champagne from a passing tray and told Wellie he could take his investors and shove them up his ass. Wellie didn’t flinch—just gave him a paternal smile and introduced him to a big pale blustery character who said he was a venture capitalist and they had a drink to that—venture capitalism, that is—and they had a drink to nine irons and holes in one. And then, before he knew what was happening, a girl he’d had a brief thing with when he was home to visit his mother two Christmases ago took him by the arm and led him out onto the dance floor. The rest was a blur, though he did remember standing at the bar at some indeterminate hour talking to somebody he couldn’t recall about something he’d forgotten, when his mother put a hand on his arm and asked him where Ruth was.

Ruth. The name came back to him as if from some coat closet of memory. Ruth’s face rose before him, and it was knit with fury. He looked at his mother and shrugged.

Was she all right? his mother wanted to know. Was she feeling ill? Had they quarreled?

He defended himself in all his innocence—no, no quarrel; he’d been looking for her all night—and he was about to have another drink when Septima put her arm in his and announced in a quavering voice that she was tired. She kept a tight grip on him as she said her unending goodbyes, and then she led him across the lawn, up the steps and into the house, where she put him to bed and sleep came like a guillotine.

In the morning, he had a headache.

Перейти на страницу:

Похожие книги

Вихри враждебные
Вихри враждебные

Мировая история пошла другим путем. Российская эскадра, вышедшая в конце 2012 года к берегам Сирии, оказалась в 1904 году неподалеку от Чемульпо, где в смертельную схватку с японской эскадрой вступили крейсер «Варяг» и канонерская лодка «Кореец». Моряки из XXI века вступили в схватку с противником на стороне своих предков. Это вмешательство и последующие за ним события послужили толчком не только к изменению хода Русско-японской войны, но и к изменению хода всей мировой истории. Япония была побеждена, а Британия унижена. Россия не присоединилась к англо-французскому союзу, а создала совместно с Германией Континентальный альянс. Не было ни позорного Портсмутского мира, ни Кровавого воскресенья. Эмигрант Владимир Ульянов и беглый ссыльнопоселенец Джугашвили вместе с новым царем Михаилом II строят новую Россию, еще не представляя – какая она будет. Но, как им кажется, в этом варианте истории не будет ни Первой мировой войны, ни Февральской, ни Октябрьской революций.

Александр Борисович Михайловский , Александр Петрович Харников , Далия Мейеровна Трускиновская , Ирина Николаевна Полянская

Фантастика / Современная русская и зарубежная проза / Попаданцы / Фэнтези
Текст
Текст

«Текст» – первый реалистический роман Дмитрия Глуховского, автора «Метро», «Будущего» и «Сумерек». Эта книга на стыке триллера, романа-нуар и драмы, история о столкновении поколений, о невозможной любви и бесполезном возмездии. Действие разворачивается в сегодняшней Москве и ее пригородах.Телефон стал для души резервным хранилищем. В нем самые яркие наши воспоминания: мы храним свой смех в фотографиях и минуты счастья – в видео. В почте – наставления от матери и деловая подноготная. В истории браузеров – всё, что нам интересно на самом деле. В чатах – признания в любви и прощания, снимки соблазнов и свидетельства грехов, слезы и обиды. Такое время.Картинки, видео, текст. Телефон – это и есть я. Тот, кто получит мой телефон, для остальных станет мной. Когда заметят, будет уже слишком поздно. Для всех.

Дмитрий Алексеевич Глуховский , Дмитрий Глуховский , Святослав Владимирович Логинов

Социально-психологическая фантастика / Триллеры / Детективы / Современная русская и зарубежная проза