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“She’s scared of my father,” Billy said. “But she wrote me a letter. I was worried about her so I came up on the train.”

“All the way from that dump in Wales where she’s from?”

“It’s not a dump,” Billy said indignantly. Then he shrugged and said: “Well, it is, really, I suppose.”

“I love your accent,” Mildred said. “To me it’s like hearing someone sing.”

“Do you know where she lives?”

“How did you find this place?”

“She said she worked at Mannie Litov’s in Aldgate.”

“Well, you’re Sherlock bloody Holmes, aren’t you?” she said, not without a note of reluctant admiration.

“If you don’t tell me where she is, someone else will,” he said with more confidence than he felt. “I’m not going home till I’ve seen her.”

“She’ll kill me, but all right,” Mildred said. “Twenty-three Nutley Street.”

Billy asked her for directions. He made her speak slowly.

“Don’t thank me,” she said as he took his leave. “Just protect me if Ethel tries to kill me.”

“All right, then,” said Billy, thinking how thrilling it would be to protect Mildred from something.

The other women shouted good-bye and blew kisses as he left, embarrassing him.

Nutley Street was an oasis of quiet. The terraced houses were built to a pattern that had become familiar to Billy after only one day in London. They were much larger than miners’ cottages, with small front yards instead of a door opening onto the street. The effect of order and regularity was created by identical sash windows, each with twelve panes of glass, in rows all along the terrace.

He knocked at number 23 but no one answered.

He was worried. Why had she not gone to work? Was she ill? If not, why was she not at home?

He peered through the letterbox and saw a hallway with polished floorboards and a hat stand bearing an old brown coat that he recognized. It was a cold day: Ethel would not go out without her coat.

He stepped close to the window and tried to look inside, but he could not see through the net curtain.

He returned to the door and looked through the flap again. The scene inside was unchanged, but this time he heard a noise. It was a long, agonized groan. He put his mouth to the letterbox and shouted: “Eth! Is that you? It’s Billy out here.”

There was a long silence, then the groan was repeated.

“Bloody hell,” he said.

The door had a Yale-type lock. That meant the catch was probably attached to the doorpost with two screws. He struck the door with the heel of his hand. It did not seem particularly stout, and he guessed the wood was cheap pine, many years old. He leaned back, lifted his right leg, and kicked the door with the heel of his heavy miner’s boot. There was a sound of splintering. He kicked several more times, but the door did not open.

He wished he had a hammer.

He looked up and down the road, hoping to see a workman with tools, but the street was deserted except for two dirty-faced boys who were watching him with interest.

He walked down the short garden path to the gate, turned, and ran at the door, hitting it with his right shoulder. It burst open and he fell inside.

He picked himself up, rubbing his hurt shoulder, and pushed the ruined door to. The house seemed silent. “Eth?” he called. “Where are you?”

The groaning came again, and he followed the sound into the front room on the ground floor. It was a woman’s bedroom, with china ornaments on the mantelpiece and flowered curtains at the window. Ethel was on the bed, wearing a gray dress that covered her like a tent. She was not lying down, but on her hands and knees, groaning.

“What’s wrong with you, Eth?” said Billy, and his voice came out as a terrified squeak.

She caught her breath. “The baby’s coming.”

“Oh, hell. I’d better fetch a doctor.”

“Too late, Billy. Dear Jesus, it hurts.”

“You sound like you’re dying!”

“No, Billy, this is what childbirth is like. Come by here and hold my hand.”

Billy knelt by the bed, and Ethel took his hand. She tightened her grip and began to groan again. The groan was longer and more agonized than before, and she gripped his hand so hard he thought she might break a bone. Her groan ended with a shriek, then she panted as if she had run a mile.

After a minute she said: “I’m sorry, Billy, but you’re going to have to look up my skirt.”

“Oh!” he said. “Oh, right.” He did not really understand, but he thought he had better do as he was told. He lifted the hem of Ethel’s dress. “Oh, Christ!” he said. The bedsheet beneath her was soaked in blood. There in the middle of it was a tiny pink thing covered in slime. He made out a big round head with closed eyes, two tiny arms, and two legs. “It’s a baby!” he said.

“Pick it up, Billy,” said Ethel.

“What, me?” he said. “Oh, right, then.” He leaned over the bed. He got one hand under the baby’s head and one under its little bum. It was a boy, he saw. The baby was slippery and slimy, but Billy managed to pick him up. There was a cord still attaching him to Ethel.

“Have you got it?” she said.

“Aye,” he said. “I’ve got him. It’s a boy.”

“Is he breathing?”

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Все книги серии Century Trilogy

Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

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