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A cold wind was coming from somewhere above. Clearly Father Mikhail was on the side of the police. Was there any way the priest could warn the sniper? Not short of running out into the street and waving-which would probably get him shot.

After a long climb in near-darkness, Grigori saw another door.

When his eyes were on a level with the bottom of the door, so that he presented a very small target, he opened it an inch, using his left hand, keeping his rifle in his right. Bright sunlight shone through the gap. He pushed it wide.

He could not see anyone.

He screwed up his eyes against the sun to scan the area visible through the small rectangle of doorway. He was in the bell tower. The door opened south. Nevsky Prospekt was on the north side of the church. The sniper was on the other side-unless he had moved to ambush Grigori.

Cautiously, Grigori ascended one step, then another, and put his head out.

Nothing happened.

He stepped through the door.

Under his feet the roof sloped gently to a gutter that ran alongside a decorative parapet. Wooden duckboards permitted workmen to move around without treading on the roof tiles. At his back the tower rose to a belfry.

Gun in hand, he edged around the tower.

At the first corner he found himself looking west the length of Nevsky Prospekt. In the clear light he could see the Alexander Garden and the Admiralty at the far end. In the middle distance the street was crowded, but nearby it was empty. The sniper must still be at work.

Grigori listened, but heard no shots.

He sidled farther around the tower until he could look around the next corner. Now he could see all along the north wall of the church. He had felt sure he would find the sniper there, flat on his belly, shooting between the uprights of the parapet-but there was no one in sight. Beyond the parapet he could see the wide street below, with people crouching in doorways and skulking around corners, waiting to see what would happen.

A moment later, the sniper’s rifle rang out. A scream from the street told Grigori the man had hit his target.

The shot had come from above Grigori’s head.

He looked up. The bell tower was pierced by glassless windows and flanked by open turrets placed diagonally at the corners. The shooter was up there somewhere, firing out of one of the many available openings. Fortunately, Grigori had remained hard up against the wall, where he could not have been seen by the sniper.

Grigori went back inside. Within the confined space of the stairwell his rifle felt big and clumsy. He put it down and took out one of his pistols. He knew by its weight that it was empty. He cursed: loading the Nagant M1895 was slow. He took a box of cartridges from the pocket of his uniform coat and inserted seven of them, one by one, through the revolver’s awkward loading gate into the cylinder. Then he cocked the hammer.

Leaving the rifle behind, he went up the spiral stairs, treading softly. He moved at a steady pace, not wanting to exert himself so much that his breathing would become audible. He kept his revolver in his right hand pointing up the stairs.

After a few moments he smelled smoke.

The sniper was having a cigarette. But the pungent smell of burning tobacco could travel a long way, and Grigori could not be sure how close the man was.

Ahead and above he saw reflected sunlight. He crept upward, ready to fire. The light was coming through a glassless window. The sniper was not there.

Grigori climbed farther and saw light again. The smell of smoke grew stronger. Was it his imagination, or could he sense the presence of the sniper just a little farther around the curve of the stairwell? And, if so, could the man sense him?

He heard a sharp intake of breath. It shocked him so much that he almost pulled the trigger. Then he realized it was the noise a man made when inhaling smoke. A moment later he heard the softer, satisfied sound of the smoker blowing out.

He hesitated. He did not know which way the sniper was looking or where his gun might be pointing. He wanted to hear the rifle fire again, for that would tell him that the sniper’s attention was directed outward.

Waiting might mean another death, another Yakov or Varya bleeding on the cold cobblestones. On the other hand, if Grigori failed now how many more people would be brought down by the sniper this afternoon?

Grigori forced himself to be patient. It was like being on the battlefield. You did not rush to save a wounded comrade and thereby sacrifice your life. You took chances only when the reasons were overwhelming.

He heard another intake of breath, followed by a long exhalation, and a moment later a crushed cigarette stub came down the staircase, bouncing off the wall and landing at his feet. There was the sound of a man shifting position in a confined space. Then Grigori heard a low muttering, the words sounding mostly like imprecations: “Swine… revolutionaries… stinking Jews… diseased whores… retards… ” The sniper was winding himself up to kill again.

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Все книги серии Century Trilogy

Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

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