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If Grigori could stop him now it would save at least one life.

He went up a step.

The muttering continued: “Cattle… Slavs… thieves and criminals… ” The voice was vaguely familiar, and Grigori wondered if this was a man he had met before.

He took another step, and saw the man’s feet, shod in shiny new police-pattern black leather boots. They were small feet: the sniper was a diminutive man. He was down on one knee, the most stable position for shooting. Grigori could now see that he had positioned himself inside one of the corner turrets, so that he could fire in three different directions.

One more step, Grigori thought, and I will be able to shoot him dead.

He took another step, but tension caused him to miss his footing. He stumbled, fell, and dropped his gun. It hit the stone step with a clang.

The sniper uttered a loud, frightened curse and looked around.

With astonishment, Grigori recognized him as Pinsky’s sidekick, Ilya Kozlov.

Grigori grabbed for his dropped gun and missed. The revolver fell down the stone staircase with agonizing slowness, one step at a time, until it came to rest well out of reach.

Kozlov began to turn, but he could not do so quickly from his kneeling position.

Grigori regained his balance and went up another step.

Kozlov tried to swing his rifle around. It was the standard Mosin-Nagant, but with a telescope attached. It was well over a yard long even without the bayonet, and Kozlov could not bring it to bear fast enough. Moving quickly, Grigori got close, so that the barrel of the rifle struck his left shoulder. Kozlov pulled the trigger uselessly, and a bullet ricocheted around the curved inside wall of the stairwell.

Kozlov sprang to his feet with surprising agility. He had a small head and a mean face, and some part of Grigori’s mind guessed he had become a sniper to get revenge on all the bigger boys-and girls-who had ever pushed him around.

Grigori got his hands on the rifle and the two men struggled for possession, face to face in the cramped little turret, next to the glassless window. Grigori heard excited shouting, and guessed they must be visible to people on the street.

Grigori was bigger and stronger, and knew that he would win possession of the gun. Kozlov realized it too, and suddenly let go. Grigori staggered back. In a flash the policeman drew his short wooden club and struck out, hitting Grigori on the head. For a moment Grigori saw stars. In a blur, he saw Kozlov raise the club again. He lifted the rifle and the club landed on the barrel. Before the policeman could strike again, Grigori dropped the gun, grabbed the front of Kozlov’s coat with both hands, and lifted him.

The man was slight and his weight was little. Grigori held him off the floor for a moment. Then, with all his might, he threw him out of the window.

Kozlov seemed to fall through the air very slowly. The sunlight picked out the green facings of his uniform as he sailed over the parapet of the church roof. A long scream of pure terror rang out in the silence. Then he hit the ground with a thump that could be heard in the bell tower, and the scream was abruptly cut off.

After a moment of quiet, a huge cheer went up.

Grigori realized the people were cheering him. They could see the police uniform on the ground and the army uniform in the turret, and they had worked out what had happened. As he watched, they came out of doorways and around corners and stood in the street, looking up at him, shouting and applauding. He was a hero.

He did not feel comfortable about that. He had killed several people in the war, and was no longer squeamish about it, but all the same he found it hard to celebrate another death, much as Kozlov had deserved to die. He stood there a few moments longer, letting them applaud but feeling uneasy. Then he ducked back inside and went down the spiral staircase.

He picked up his revolver and his rifle on the way down. When he emerged into the church, Father Mikhail was waiting, looking scared. Grigori pointed the revolver at him. “I ought to shoot you,” he said. “That sniper you allowed onto your roof killed two of my friends and at least three other people, and you’re a murdering devil for letting him do it.” The priest was so shocked to be called a devil that he was lost for words. But Grigori could not bring himself to shoot an unarmed civilian, so he grunted in disgust and went outside.

The men of his platoon were waiting for him, and roared their approval as he stepped into the sunshine. He could not stop them lifting him onto their shoulders and carrying him in procession.

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Все книги серии Century Trilogy

Fall of Giants
Fall of Giants

Follett takes you to a time long past with brio and razor-sharp storytelling. An epic tale in which you will lose yourself."– The Denver Post on World Without EndKen Follett's World Without End was a global phenomenon, a work of grand historical sweep, beloved by millions of readers and acclaimed by critics as "well-researched, beautifully detailed [with] a terrifically compelling plot" (The Washington Post) and "wonderful history wrapped around a gripping story" (St. Louis Post- Dispatch)Fall of Giants is his magnificent new historical epic. The first novel in The Century Trilogy, it follows the fates of five interrelated families-American, German, Russian, English, and Welsh-as they move through the world-shaking dramas of the First World War, the Russian Revolution, and the struggle for women's suffrage.Thirteen-year-old Billy Williams enters a man's world in the Welsh mining pits…Gus Dewar, an American law student rejected in love, finds a surprising new career in Woodrow Wilson's White House…two orphaned Russian brothers, Grigori and Lev Peshkov, embark on radically different paths half a world apart when their plan to emigrate to America falls afoul of war, conscription, and revolution…Billy's sister, Ethel, a housekeeper for the aristocratic Fitzherberts, takes a fateful step above her station, while Lady Maud Fitzherbert herself crosses deep into forbidden territory when she falls in love with Walter von Ulrich, a spy at the German embassy in London…These characters and many others find their lives inextricably entangled as, in a saga of unfolding drama and intriguing complexity, Fall of Giants moves seamlessly from Washington to St. Petersburg, from the dirt and danger of a coal mine to the glittering chandeliers of a palace, from the corridors of power to the bedrooms of the mighty. As always with Ken Follett, the historical background is brilliantly researched and rendered, the action fast-moving, the characters rich in nuance and emotion. It is destined to be a new classic.In future volumes of The Century Trilogy, subsequent generations of the same families will travel through the great events of the rest of the twentieth century, changing themselves-and the century itself. With passion and the hand of a master, Follett brings us into a world we thought we knew, but now will never seem the same again.

Кен Фоллетт

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