Изобрести современность. Эссе об актуальном искусстве

† Degas and the Dreyfus Affair: a Portrait of the Artist as an Anti-Semite / ed. N. L. Kleeblatt // The Dreyfus Affair: Art, Truth, and Justice. Berkeley, CA: University of California Press, 1987. P. 96–116; перепечатано в: Berger M., ed. Modern Art and Society: An Anthology of Social and Multicultural Readings. New York, NY: Icon Editions, 1994.

†† — and Faunce S., eds. Courbet Reconsidered. New York, NY: Brooklyn Museum; New Haven, CT: Yale University Press, 1988; включает: Courbet’s Real Allegory: Rereading The Painter’s Studio. P. 17–42.

The Politics of Vision: Essays on Nineteenth-century Art and Society. New York, NY: Harper & Row, 1989.

A House is Not a Home: Degas and the Subversion of the Family / ed. R. Kendall, G. Pollock // Dealing with Degas: Representations of Women and the Politics of Vision. New York, NY: Universe, 1991. P. 43–65.

Bathtime: Renoir, Cézanne, Daumier and the Practices of Bathing in Nineteenth-century France. Groningen, The Netherlands: Gerson Lectures Foundation, 1991.

Delacroix’s Liberty, Daumier’s Republic: Gender Advertisements in Nineteenth-Century Political Allegory // XXVIIe Congrès international d’histoire de l’art. Strasbourg, 1992.

The Body in Pieces: The Fragment as a Metaphor of Modernity. London: Thames & Hudson, 1994.

— and Garb T., eds. The Jew in the Text: Modernity and the Construction of Identity. London: Thames & Hudson, 1995; включает: Starting with the Self: Jewish Identity and its Representation. P. 7–19.

Cézanne’s Portraits / Geske Lectures. Lincoln, NB: College of Fine and Performing Arts, University of Nebraska, 1996.

Essay in Ellsworth Kelly: Drawings 1960–1962. New York, NY: Matthew Marks Gallery, 1999.

The Body in Pieces: The Fragment as a Metaphor of Modernity / Twenty-Sixth Walter Neurath Memorial Lecture. London: Thames & Hudson, 2001.

Afterword / ed. A. D’Souza // Self and History: A Tribute to Linda Nochlin. London: Thames & Hudson, 2001. P. 201–205.

Bathers, Bodies, Beauty: the visceral eye. Cambridge, Mass.: Harvard University Press, The Charles Elliot Norton lectures, 2006; Courbet. London: Thames & Hudson, 2007.

Courbet and the Representation of ‘Misère’: a Dream of Justice // ed. K. Herding, M. Hollein. Courbet: A Dream of Modern Art. Frankfurt, Germany: Schirn Kunsthalle; Ostfildern, Germany: Hatje Cantz, 2010. S. 76–83.

Living with Courbet: Fifty Years of My Life as an Art Historian // M. Arnoux et al. Courbet à neuf!: Actes du colloque international organisé par le musée d’Orsay et le Centre allemand d’histoire de l’art à Paris, les 6 et 7 décembre 2007. Paris: Maison des sciences de l’homme, 2010. P. 11–22.

Géricault, Goya y la representación de la miseria tras la Revolución industrial // F. C. Serraller et al. El arte de la era romantic. Madrid: Fundación Amigos Museo del Prado; Barcelona: Galaxia Gutenberg: Circulo de Lectores, 2012. P. 199–218.

Reilly M., ed. Women Artists: The Linda Nochlin Reader. New York: Thames & Hudson, 2015.

Misère: The Visual Representation of Misery in the 19th century. New York: Thames & Hudson, 2018.

Статьи

The Development and Nature of Realism in the Work of Gustave Courbet: A Study of the Style and Its Social and Artistic Background — Ph. D. Thesis, Institute of Fine Arts, NYU, 1963. Опубликовано: Gustave Courbet: A Study of Style and Society. New York: Garland Publishing, 1976. См. также: Summaries of dissertations (1962–64) // Marsyas. Vol. 11. P. 79–80.

Innovation and Tradition in Courbet’s «Burial at Ornans» // Marsyas suppl. II («Essays in Honor of Walter Friedlaender»). 1965. P. 119–126; перепечатано в: Chu PTD, ed. Courbet in Perspective. Englewood Cliffs, NJ: Prentice-Hall, 1977. P. 77–87.

†† Gustave Courbet’s Meeting: A Portrait of the Artist as a Wandering Jew // The Art Bulletin. September 1967. Vol. 49. P. 209–222.

† The Invention of the Avant-Garde: France, 1830–1880 // ARTnews Annual. 1968. Vol. 34 («The avant-garde»); перепечатано в: Avantgarde Art. New York: Collier / Art News. 1971.

Metropolitan Museum: The Inhabitable Museum // ARTnews. January 1970. Vol. 68. P. 36, 45, 58.

Ugly American: The Work of Philip Pearlstein // ARTnews. September 1970. Vol. 69. P. 55–57, 65–70.

†† Gustave Courbet’s «Toilette de la mariée» // Art Quarterly. Spring 1971. Vol. 34. No. 1. P. 30–54.

Albert Boime, «The academy and French art in the nineteenth century» [review] // The Burlington Magazine. August 1972. Vol. 114. P. 559–560.

Oh, Say Can You See? [review] // New York Times Book Review. 1973. December 2. P. 4–5, 24, 30, 36, 40, 44, 48, 50.

Formalism and Anti-formalism // Quadrille. Fall 1974. Vol. 9. No. 1. P. 35–42.

TJ Clark, The absolute bourgeois: artists and politics in France, 1848–1851, and Image of the people: Gustave Courbet and the Second French Republic, 1848–1851 [review] // Art in America. September-October 1974. Vol. 62. No. 5. P. 15.

Contribution to «Late Cézanne: A Symposium» // Art in America. March 1978. Vol. 66. P. 90–91.