Russia. A History

Active techniques of integration that touched all society seem to have focused on the Orthodox population. The non-Orthodox (called ‘tribute’ people) generally were neither integrated into the élite (except for the highest clans among them) nor addressed by many of the less tangible institutions of integration. The Church was one of few institutions whose rituals and symbolism reached across the realm; conveniently its teachings legitimated the secular government as appointed by God. The Church and state recognized local holy men as saints on the national or local levels and thus worked to integrate disparate parts of the realm into a putative Orthodox community. Rulers used ritual moments, such as pilgrimages and processions, to demonstrate the ruler’s power, piety, and relationship to his men and people; such moments were often accompanied by the distribution of alms, the founding of new monasteries and chapels, and other overtures to the local community. Ivan IV participated almost incessantly in annual pilgrimages that traversed the centre of the realm; rulers’ ceremonial entrances into conquered cities (see examples in chronicles sub anno

1478, 1552, and 1562) show the tsar both as humble penitent and powerful leader.

Rulers also used architecture as a symbolic statement. Ivan III reconstructed the Kremlin churches into a magnificent ensemble (including a family cathedral, the metropolitan’s see, and a mortuary cathedral) that demonstrated not only his power and strength but, by incorporating architectural motifs from Novgorod and Pskov, the breadth of his conquests. Significantly, the centre-piece of the ensemble was the Dormition (Uspenskii

) Cathedral, copied specifically from the metropolitan’s see in Vladimir, not the Kiev example. Throughout the sixteenth century, this church was replicated—at the Trinity-Sergius Monastery, in Pereiaslavl-Zalesskii, Rostov, Vologda, Kazan, and elsewhere—stamping the landscape with a specifically Muscovite cultural idiom. Grand princes also left symbols of their authority in new churches and monasteries built to commemorate military victories (Sviazhsk, 1551; Kazan, 1552; the Church of the Intercession on the Moat or ‘St Basil’s’ in Moscow, 1555–61; Narva, 1558; Velikie Luki, 1562) or to spread their patronage (Mozhaisk, 1563; Pereiaslavl, 1564).

The state also extended protection to all society for ‘injured honour’ (beschest’e

) , implicitly defining the state as a community unified by honour. Honour was defined as loyalty to the tsar, to the Church, to one’s social rank, to family and clan. Specifically excluded from the community of honour were ‘thieves, criminals, arsonists, and notorious evil men’, while even minstrels, bastards, and slaves were included (1589 law code). The state also appealed to all its inhabitants with a vision of community by according all subjects, even non-Orthodox, the right to petition the ruler. Individuals used formulae that accentuated their personal dependence on him: they referred to themselves with self-deprecating, although stylized, labels and beseeched the ruler for ‘favour’, be it a grant of land, release from service, or the resolution of litigation. Around 1550 a ‘Petitions Chancery’ was founded to encourage individuals to bring their grievances directly to the ruler.

Petitions, like the Domostroi,

suggest symbolically that the ruler and his people were united in a patriarchal, personal family, that the realm constituted a single, homogeneous community. It has been noted that early seventeenth-century texts portray the tsardom as a ‘God-dependent’ community in which all, high and lowly, are personally dependent on the ruler and all equally share a responsibility to serve him loyally and offer him virtuous counsel when he errs. Sixteenth-century chronicle sources also strike these themes of consensus, unanimity, and patrimonial dependence, emphasizing the personal affection between grand princes and their boyars, or criticizing boyars for not giving the ruler counsel or for seeking ‘personal power’ (samovlastie). It is impossible to say how well these ideas were internalized by various strata of the population, but they were consistently and clearly articulated in the sources.

The central focus for building a cohesive state was the court, which sought to project a coherent public image of the realm and its relationship to the élite. Genealogies of the Daniilovich family traced its descent to the Vladimir-Suzdal principality (twelfth and thirteenth centuries), while panegyrics and hagiography created a pantheon of Muscovite heroes, most notably Grand Prince Dmitrii Donskoi (1359–89). The court also patronized cults of the ‘Moscow miracle-workers’, three fourteenth- and fifteenth-century metropolitans (Peter, Alexis, Iona) closely associated with the ruling dynasty. All these texts identified Moscow accurately with its fourteenth-century roots.