89. Golub, Spencer. Evreinof: The Theatre of Paradox and transformation.
Ann Arbor: UMI Research Press, 1984.90. Gontcharova, Nathalie, Michel Larionov, and Pierre Vorms. Les Ballets russes: Serge Diaghilew et la décoration théâtrale.
Rev. ed. Belves Dordogne: Pierre Vorms, 1955.91. Goossens, Eugene. Overture and Beginners: A Musical Autobiography.
London: Methuen, 1951.92. Green, Martin. Children of the Sun: A Narrative of “Decadence” in England After 1918.
New York: Basic Books, 1976.93. Grigoriev, S. L. The Diaghilev Ballet 1909–1929.
Trans, and ed. Vera Bowen. London: Constable, 1953.94. Guest, Ivor. Adeline Genée: A Lifetime of Ballet Under Six Reigns.
London: Adam and Charles Black, 1958.95. ___ Le Ballet de l’Opéra de Paris: Trois Siècles d’histoire et de tradition.
Trans. Paul Alexandre. Paris: Théâtre National de l’Opéra, n. d.96. Hanson, Lawrence, and Elisabeth Hanson. Prokofiev: A Biography in Three Movements.
New York: Random House, 1964.97. Haskell, Arnold. Balletomania: The Story of an Obsession.
London: Gollancz, 1934.98. ___ Diaghileff: His Artistic and Private Life.
In collaboration with Walter Nouvel. London: Gollancz, 1935.99. Holroyd, Michael. Lytton Strachey: A Critical Biography.
2 vols. New York: Holt, Rinehart and Winston, 1968.100. Horwitz, Dawn Lille. Michel Fokine.
Foreword Don McDonaugh. Boston: Twayne, 1985.101. Hugo, Jean. Avant d’Oublier 1918–1931.
Paris: Fayard, 1976.102. Julian, Philippe. Robert de Montesquiou: A Fin-de-Siècle Prince.
Trans. John Haylock and Francis King. London: Seeker and Warburg, 1965.103. Kahnweiler, Daniel-Henry. Juan Gris: His Life and Work.
London, 1969.104. Karsavina, Tamara. Theatre Street: The Reminiscences of Tamara Karsavina.
Foreword J. M. Barrie. London: Heinemann, 1930.105. Kean, Beverly Whitney. All the Empty Palaces: The Merchant Patrons of Modern Art in Pre-Revolutionary Russia.
New York: Universe Books, 1983.106. Kendall, Elizabeth. Where She Danced.
New York: Knopf, 1979.107. Kerensky, Oleg. Anna Pavlova.
New York: Dutton, 1973.108. Kessler, Count Harry. In the Twenties: The Diaries of Count Harry Kessler.
Trans. Charles Kessler. Introd. Otto Friendrich. New York: Holt, Rinehart and Winston, 1971.109. Keynes, Geoffrey. The Gates of Memory.
London: Oxford University Press, 1983.110. Keynes, Milo, ed. Lydia Lopokova.
London: Weidenfeld and Nicolson, 1983.111. Kirstein, Lincoln. Nijinsky Dancing.
New York: Knopf, 1975.112. Kochno, Boris. Diaghilev and the Ballets Russes.
Trans. Adrienne Foulke. New York: Harper and Row, 1970.113. Krasovskaya, Vera. Nijinsky.
Trans. John E. Bowk. New York: Schmirmer, 1979.114. Kschessinska, Mathilde (Princess Romanovsky-Krassinsky). Dancing in Petersburg: The Memoirs of Kschessinska.
Trans. Arnold Haskell. Garden City, 1961; rpt. New York: Da Capo, 1977.115. Kyasht, Lydia. Romantic Recollections.
Ed. Erica Beale. London: Brentano, 1929.116. Lambert, Constant. Music Ho! A Study of Music in Decline.
Introd, Arthur Hutchings. New York: October House, 1967.117. Levinson, André. Bakst: The Story of the Artist’s Life.
1923; rpt. New York: Blom, 1971.118. ___ Ballet Old and New.
Trans. Susan Cook Summer. New York: Dance Horizons, 1982.119. ___ La Danse au Théâtre: Esthétique et actualité mêlées.
Paris: Bloud et Gay, 1924.120. ___ La Danse d’aujourd’hui: Etudes, Notes, Portraits.
Paris: Duchartre et Van Buggenhoudt, 1929.121. Lieven, Prince Peter. The Birth of Ballets-Russes.
Trans. L. Zarine. London: George Allen and Unwin, 1936.122. Lifar, Serge. Ma Vie: From Kiev to Kiev.
Trans. James Holman Mason. New York: World Publishing, 1970.