Русский балет Дягилева

196. ___ Le Ballet Contemporain. With the collaboration of Léon Bakst. Trans. M. D. Calvocoressi. Paris: de Brunoff, 1912.

197. Taper, Bernard. Balanchine: A Biography. Rev. ed. New York: Times Books, 1984.

198. Terry, Ellen. The Russian Ballet. London: Sidgwick and Jackson, 1913.

199. Thomson, Virgil. Virgil Thomson. New York: Knopf, 1966.

200. Tompkins, Calvin. Living Well is the Best Revenge. New York: Dutton, 1982.

201. Tyler, Parker. The Divine Comedy of Pavel Tchelitchew. New York: Fleet Publishing, 1967.

202. Valois, Ninette de. Come Dance With Me: A Memoir 1898–1956. London: Dance Books, 1973.

203. ___ Invitation to the Ballet.

London: John Lane, 1937.

204. Volkov, Solomon. Balanchine’s Tchaikovsky. Trans. Antonina W. Bouis. New York: Simon and Schuster, 1985.

205. Walker, Kathrine Sorley. De Basil’s Ballets Russes. London: Hutchinson, 1982.

206. White, Eric Walter. Stravinsky: The Composer and His Works. Berkeley: University of California Press, 1979.

207. Whitworth, Geoffrey. The Art of Nijinsky. London, 1913; rpt. New York: Benjamin Blom, 1972.

208. Wiley, Roland John. Tchaikovsky’s Ballets: Swan Lake, Sleeping Beauty, Nutcracker. London: Oxford University Press, 1985.

209. Wilkins, Nigel. The Writings of Erik Satie. London: Eulenberg, 1981.

210. Wolff, Stéphane. L’Opéra au Palais Garnier (1875–1962). Introd. Alain Gueullette. Paris: Slatkine, 1983.

211. Yastrebtsev, V. V. Reminiscences of Rimsky-Korsakov.

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212. Zilberstein, I.S., and V. A. Samkov, eds. Serge Diaghilev and Russian Art. 2 vols. Moscow: Izobrazitelnoe Iskusstvo, 1982.

Статьи

1. Acocella, Joan. “Photo Call With Nijinsky: The Circle and the Center”. Ballet Review, 14, No. 4 (Winter 1987), pp. 49–71.

2. Banes, Sally. “An Introduction to the Ballets Suedois”. Ballet Review, 7, Nos. 2–3 (1978–1979), pp. 28–59.

3. Bowlt, John E. “Constructivism and Russian Stage Design”. Performing Arts Journal, 1, No. 3 (Winter 1977), pp. 62–84.

4. ___ “Nikolai Ryabushinsky: Playboy of the Eastern World”. Apollo, December 1973, pp. 486–493.

5. Celli, Vincenzo. “Enrico Cecchetti”. Dance Index, 5, No. 7 (1946), pp. 158–179.

6. Chujoy, Anatole. “Russian Balletomania”. Dance Index

, 7, No. 3 (March 1948), pp. 45–71.

7. Cohen, Barbara Naomi. “The Borrowed Art of Gertrude Hoffmann”. Dance Data, No. 2 (n. d.), pp. 2–11.

8. Fry, Roger. “M. Larionow and the Russian Ballet”. Burlington Magazine, March 1919, pp. 112–118.

9. Goldman, Debra. “Mothers and Fathers: A View of Isadora and Fokine”. Ballet Review, 6, No. 4 (1977–1978), pp. 33–43.

10. Gontcharova, Natalia. “The Creation of ‘Les Noces’”. Ballet and Opera, September 1949, pp. 23–26.

11. ___ “The Metamorphoses of the Ballet ‘Les Noces’”. Leonardo, 12, No. 2 (Spring 1979), pp. 137–143.

12. Gordon, Mel. “Meyerhold’s Biomechanics”. Drama Review, 18, No. 3 (September 1974), pp. 73–88.

13. Guest, Ivor. “The Alhambra Ballet”. Dance Perspectives, 4 (Autumn 1959), pp. 5–70.

14. Hodson, Millicent. “Nijinsky’s Choreographic Method: Visual Sources from Roerich for Le Sacre du Printemps

”. Dance Research Journal, 18, No. 2 (Winter 1986–1987), pp. 7–15.

15. Horwitz, Dawn Lille. “A Ballet Class With Michel Fokine”. Dance Chronicle, 3, No. 1 (1979), pp. 36–45.

16. Iavorskaïa, N.A. “Les relations artistiques entre Paris et Moscou dans les années 1917–1930”. In Paris-Moscou, 1900–1930. Paris: Centre National d’Art et de Culture Georges Pompidou, 1979.

17. Jones, Robert Edmond. “Nijinsky and Til Eulenspiegel”. Dance Index, 4, No. 4 (April 1945), pp. 44–54.

18. Karlinsky, Simon. “Stravinsky and Russian Pre-literate Theater”. Nineteenths-Century Russian Music, 6, No. 3 (Spring 1983), pp. 232–240.

19. Krasovskaya, Vera. “Marius Petipa and ‘The Sleeping Princess’”. Trans. Cynthia Read. Dance Perspectives, 49 (Spring 1972), pp. 6–45.

20. Levinson, André. “A Crisis in the Ballets Russes”. Theatre Arts Monthly, November 1926, pp. 785–792.

21. Lobanov, N.D. “Russian Painters and the Stage”. Transactions, 2 (1968), pp. 133–210.