Six days later, non-party writers were included in a second gathering with the dictator and his entourage. Invitations had gone out only over the phone, with the proviso not to divulge the information, perhaps in order to enhance the sense of being chosen. (Neither Bedny nor Bulgakov was invited.) Few of the fifty assembled literary figures had ever met Stalin, let alone spent an intimate evening with him. Emotions ran high. At the first break, they surrounded Stalin, and one asked about state dachas. “From under his bushy eyebrows, his eyes quickly and carefully survey the rows of those present,” the literary critic Koreli Zelinsky wrote in a private account the next day. “When Stalin laughs—and he does so often and quickly—he squints and bends over the table, his eyebrows and mustache run apart, and his visage becomes sly. . . . What the portraits do not at all convey is that Stalin is very mobile. . . . He is very sensitive to the objections and in general strangely attentive to everything said around him. It seems he does not listen or forget. But, no, it turns out he caught everything at all wavelengths in the radio station of his mind. The answer is ready at once, in the forehead, straightforward, yes or no. Then you understand that he is always ready for combat. And, at the same time, watch out if he wants to please. There is a vast gamut of hypnotic tools at his disposal.”164
Stalin wanted to conjure into being a coterie of writers of stature whose utterances would carry weight and yet who could be more or less controlled. “I forgot to talk about what you are ‘producing,’” he remarked, after allowing many writers to speak. “There are various forms of production: artillery, locomotives, automobiles, trucks. You also produce ‘commodities,’ ‘works,’ ‘products.’ . . . You are engineers of human souls. . . . As some here rightly said, the writer cannot sit still; he must get to know the life of the country. Rightly said. People are transforming life. That is why I propose a toast: ‘To Engineers of Human Souls.’”165
Voroshilov interjected, “Not really.” Everyone applauded. Stalin turned his whole body to the defense commissar: “Your tanks would be worth little if the souls inside them were rotten. No, the production of souls is more important than the production of tanks.”During a second break, the tables were laid with food and drink (this was still during the famine time), and Fadeyev importuned Stalin to repeat what he had told the Communist writers at the earlier gathering: intimate details of Lenin’s last days. Stalin stood, raised his glass, and said, “To a great man, to a great man,” then repeated it again, as if a little drunk. “Lenin knew he was dying,” Stalin said, and “asked me once when we were alone together to bring him a cyanide capsule. ‘You are the most severe person in the party,’ Lenin said. ‘You are able to do it.’ At first I promised him, but then I could not do it. How could I give Ilich poison? I felt bad. And then, you never know how the illness will progress. So I didn’t give it to him.” There were further toasts, and the atmosphere became ever more visionary (an entire writers’ city; no more paper shortages). “I still remember how Gorky bid farewell to Stalin, kissing like a man on the mustaches,” Zelinsky wrote. “Gorky, tall, stooped to Stalin, who stood straight like a soldier. Gorky’s eyes shone and, ashamedly, unnoticeably, he wiped away a small tear.”166
Fadeyev followed the meeting with a diatribe in
WHO WOULD WRITE THE BIOGRAPHY?