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MR. GOLIADKIN SPENT that whole morning in an awful bustle. On reaching Nevsky Prospect, our hero ordered the carriage to stop at the Gostiniy Dvor.{5}

Jumping out of his carriage, he ran in under the arcade, accompanied by Petrushka, and went straight to a silver- and goldsmith’s shop. One could see merely by the look of Mr. Goliadkin that he was all aflutter and had an awful heap of things to do. Having agreed on a price of fifteen hundred in banknotes for a full dinner and tea service, and bargained his way into a whimsically shaped cigar box and a full silver shaving kit for the same price, having inquired, finally, about the price of certain other little objects, useful and agreeable in their way, Mr. Goliadkin ended by promising to stop by for his purchases without fail the next day or even send for them that same day, took the number of the shop, listened attentively to the merchant, who was fussing about a little deposit, and promised to give him a little deposit in due time. After which he hastily took leave of the bewildered merchant and went down the arcade pursued by a whole flock of salesclerks, constantly looking back at Petrushka, and painstakingly searching for some other shop. On the way he dashed into a moneychanger’s shop and broke all his big notes into smaller ones, and though he lost in the exchange, he broke them all the same, and his wallet grew significantly fatter, which apparently afforded him great pleasure. Finally, he stopped at a store selling various ladies’ fabrics. Again negotiating purchases for a significant sum, Mr. Goliadkin, here as well, promised the merchant to stop by without fail, took the number of the shop, and, to the question about a little deposit, again repeated that there would be a little deposit in due time. Then he visited several other shops; in all of them he bargained, asked the price of various objects, sometimes argued for a long time with the merchants, left the shop and came back three times—in short, manifested an extraordinary activity. From the Gostiniy Dvor, our hero went to a well-known furniture store, where he arranged a deal on furniture for six rooms, admired a fashionable and very whimsical lady’s toilet table in the latest taste and, having assured the merchant that he would send for it all without fail, left the store, as was his custom, with the promise of a little deposit, then went elsewhere and bargained for other things. In short, there was apparently no end to his bustling. Finally, it seems, Mr. Goliadkin himself began to grow quite bored with it all. He even, and God knows by what chance, began, out of the blue, to suffer pangs of conscience. Not for anything would he now have agreed to meet, for example, Andrei Filippovich, or even Krestyan Ivanovich. Finally, the town clock struck three in the afternoon. When Mr. Goliadkin definitively settled in his carriage, of all the purchases he had made that morning, there actually turned out to be only one pair of gloves and a flask of scent for a rouble and a half in banknotes. Since it was still early for Mr. Goliadkin, he ordered his coachman to stop at a famous restaurant on Nevsky Prospect, of which he had previously only heard, got out of the carriage, and ran to have a bite to eat, to rest, and while away some time.

Having nibbled as a man nibbles when he is looking forward to a sumptuous dinner party, that is, taken a little something to appease his tapeworm, as they say, and drunk a little glass of vodka, Mr. Goliadkin settled into an armchair and, modestly glancing around, peacefully affixed himself to a skinny government newspaper. After reading a couple of lines, he got up, looked in the mirror, straightened and smoothed himself out; then he went over to the window to see if his carriage was there…then sat down again and took the newspaper. It was noticeable that our hero was in extreme agitation. Having glanced at his watch and seen that it was only a quarter past four, and that consequently there was still quite a while to wait, and at the same time considering it improper just to sit like that, Mr. Goliadkin ordered hot chocolate, for which, however, he felt no great desire at the present moment. Having drunk the hot chocolate and noticed that the time had advanced a little, he went to pay. Suddenly someone tapped him on the shoulder.

He turned and saw his two colleagues before him, the same ones he had met that morning on Liteinaya—still quite young fellows in both age and rank. Our hero was neither here nor there with them, neither friends nor outright enemies. Naturally, decency was observed on both sides; but there was no further closeness, and there could not be. Meeting them at the present moment was extremely unpleasant for Mr. Goliadkin. He winced slightly and was momentarily confused.

“Yakov Petrovich, Yakov Petrovich!” the two registrars{6} chirped, “you here? On what…”

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Проза / Классическая проза / Юмор / Юмористическая проза / Прочий юмор
Ад
Ад

Анри Барбюс (1873–1935) — известный французский писатель, лауреат престижной французской литературной Гонкуровской премии.Роман «Ад», опубликованный в 1908 году, является его первым романом. Он до сих пор не был переведён на русский язык, хотя его перевели на многие языки.Выйдя в свет этот роман имел большой успех у читателей Франции, и до настоящего времени продолжает там регулярно переиздаваться.Роману более, чем сто лет, однако он включает в себя многие самые животрепещущие и злободневные человеческие проблемы, существующие и сейчас.В романе представлены все главные события и стороны человеческой жизни: рождение, смерть, любовь в её различных проявлениях, творчество, размышления научные и философские о сути жизни и мироздания, благородство и низость, слабости человеческие.Роман отличает предельный натурализм в описании многих эпизодов, прежде всего любовных.Главный герой считает, что вокруг человека — непостижимый безумный мир, полный противоречий на всех его уровнях: от самого простого житейского до возвышенного интеллектуального с размышлениями о вопросах мироздания.По его мнению, окружающий нас реальный мир есть мираж, галлюцинация. Человек в этом мире — Ничто. Это означает, что он должен быть сосредоточен только на самом себе, ибо всё существует только в нём самом.

Анри Барбюс

Классическая проза