The James Bond Anthology

Bond said indifferently ‘That so?’, paid for two nights and walked out of the garage. He had stopped on the far side of the town, and now he only had to follow the highway for a hundred yards before he found the dirt track running off into the woods on his right. After half an hour the track petered out at a broken-down farmhouse. A chained dog set up a frenzied barking, but no light showed in the farmhouse and Bond skirted it and at once found the path by the stream. He was to follow this for three miles. He lengthened his stride to get away from the dog. When the barking stopped there was silence, the deep velvet silence of woods on a still night. It was a warm night with a full yellow moon that threw enough light down through the thick spruce for Bond to follow the path without difficulty. The springy, cushioned soles of the climbing boots were wonderful to walk on, and Bond got his second wind and knew he was making good time. At around four o’clock the trees began to thin and he was soon walking through open fields with the scattered lights of Franklin on his right. He crossed a secondary, tarred road, and now there was a wider track through the woods and on his right the pale glitter of a lake. By five o’clock he had crossed the black rivers of U.S. highways 108 and 120. On the latter was a sign saying ENOSBURG FALLS 1 MI. Now he was on the last lap – a small hunting-trail that climbed steeply. Well away from the highway, he stopped and shifted his rifle and knapsack round, had a cigarette and burned the sketch-map. Already there was a faint paling in the sky and small noises in the forest – the harsh, melancholy cry of a bird he did not know and the rustlings of small animals. Bond visualized the house deep down in the little valley on the other side of the mountain ahead of him. He saw the blank curtained windows, the crumpled sleeping faces of the four men, the dew on the lawn and the widening rings of the early rise on the gunmetal surface of the lake. And here, on the other side of the mountain, was the executioner coming up through the trees. Bond closed his mind to the picture, trod the remains of his cigarette into the ground and got going.

Was this a hill or a mountain? At what height does a hill become a mountain? Why don’t they manufacture something out of the silver bark of birch trees? It looks so useful and valuable. The best things in America are chipmunks, and oyster stew. In the evening darkness doesn’t really fall, it rises. When you sit on top of a mountain and watch the sun go down behind the mountain opposite, the darkness rises up to you out of the valley. Will the birds one day lose their fear of man? It must be centuries since man has killed a small bird for food in these woods, yet they are still afraid. Who was this Ethan Allen who commanded the Green Mountain Boys of Vermont? Now, in American motels, they advertise Ethan Allen furniture as an attraction. Why? Did he make furniture? Army boots should have rubber soles like these.

With these and other random thoughts Bond steadily climbed upwards and obstinately pushed away from him the thought of the four faces asleep on the white pillows.

The round peak was below the tree-line and Bond could see nothing of the valley below. He rested and then chose an oak tree, and climbed up and out along a thick bough. Now he could see everything – the endless vista of the Green Mountains stretching in every direction as far as he could see, away to the east the golden ball of the sun just coming up in glory, and below, two thousand feet down a long easy slope of tree-tops broken once by a wide band of meadow, through a thin veil of mist, the lake, the lawns and the house.

Bond lay along the branch and watched the band of pale early morning sunshine creeping down into the valley. It took a quarter of an hour to reach the lake, and then seemed to flood at once over the glittering lawn and over the wet slate tiles of the roofs. Then the mist went quickly from the lake and the target area, washed and bright and new, lay waiting like an empty stage.