Yes: bright red. Sprayed in drops on the windshield, so bright and shocking it popped out even at a distance. Beyond—within the car, beyond the semi-transparent scrim of droplets—she had the impression of horrible movement: something thrashing and thumping, flailing around. And whatever it was, that dark confusion, Danny Ratliff seemed frightened of it, too. His backward steps were slow, robotic, like the last few backward steps of a shot cowboy in the movies.
Harriet was overcome all of a sudden with a strange blankness and languor. From where she was, so high up, it all looked flat and unimportant somehow, accidental. The sun beat down white and fierce, and in her head thrummed the same curious, airy lightness that—when she was climbing—had made her feel like relaxing her grip and letting go.
In the bright distance, Danny Ratliff stooped to pick up something shiny on the grass, and Harriet’s heart gave a queasy flutter when she realized more from the way that he was holding it than anything else that it was a gun. In the dreadful silence, she imagined for a moment that she could hear a faint strain of trumpet music—Hely’s marching band, to the east, far away—and when, in confusion, she cast her eye over in that direction, it seemed to her that the slightest gold twinkle, like sun striking brass, flashed up in the hazy distance.
————
Birds—birds everywhere, great black cawing explosions of them, like radioactive fallout, like shrapnel. They were a bad sign: words and dreams and laws and numbers, storms of information in his head, indecipherable, on the wing and spiraling. Danny put his hands over his ears: he could see his own reflection, slanted, in the blood-spattered windshield, a whirling red galaxy frozen on glass, clouds moving in a thin film behind his head. He was sick and exhausted; he needed a shower and a good meal; he needed to be home, in bed. He didn’t need this shit.
The gun lay in the weeds at Danny’s feet, where he’d dropped it. Stiffly, he bent to retrieve it. Sable was sniffing around Farish’s cheek and neck with a rooting, butting motion that made Danny queasy, while Van Zant tracked his every move with her acid yellow eyes. When he stepped towards the car, she reared back and barked with renewed energy. Just you open that car door, she seemed to be saying. Just you open that motherfucking door. Danny thought of the training sessions out in the back yard, where Farish rolled his arms in quilt batting and burlap sacks and yelled
His knees were trembling. He rubbed his mouth, tried to compose himself. Then he took aim across his arm, at the yellow eye of the dog Van Zant, and squeezed the trigger. A hole the size of a silver dollar exploded in the window. Gritting his teeth against the screams, the thrashing and sobbing inside the car, Danny leaned down with his eye to the glass and put the pistol through the hole and shot her again, then angled the gun and got in a good clear center shot at the other one. Then he pulled back his arm and threw the gun away from him as far as he could.
He stood in the morning glare panting as if he’d run a mile. The screaming from the car was the worst noise he’d ever heard in his life: high, unearthly, like broken machinery, a metallic sobbing note that went on and on without fatigue, a noise that gave Danny actual pain, so he felt that if it didn’t stop, he’d have to drive a stick in his ear—
But it didn’t stop; and after what seemed a ridiculously long time, standing there with his back half-turned, Danny walked stiffly to where he’d thrown the gun, with the screams of the dogs still ringing in his ears. Grimly, he got down on his knees and searched through the thin weeds, parting them with his hands, and his back tensed against the keen energetic cries.
But the gun was empty: no more bullets. Danny wiped it clean with his shirt and tossed it deeper in the woods. He was on the verge of forcing himself over to the car, to look, when silence rolled in on him, in crushing waves—each wave with its own crest and fall, like the screams which had preceded them.