The Sculptor

To top things off, it would be twenty-four hours after Ali reported her boyfriend missing before the Cranston Police would finally connect the dots to Rogers ’s impounded roadster. And although Rogers had long been dead by the time the authorities began treating him as a missing person, the self-centered theatre professor might have taken comfort in knowing that fate had been kind to him in the end. For if he had dumped Ali before his meeting with The Sculptor, who knows how long his disappearance might have gone unnoticed, as it was not unusual for his colleagues, his family, and his friends not to hear from him for weeks at a time-especially after the end of the semester, when he and Cathy would sometimes vacation before summer theatre rehearsals began at Brown.

The Cranston Police, of course, were entirely unaware that another man had been recently reported missing in Boston -a young man known as “Jim Paulson,” or simply as “Jim.” And despite the cryptic description of Mr. Paulson’s lifestyle given by the young man’s friends, it soon became clear to the Boston Police that lover boy Jim and his constituents dwelt in that world where people rarely ask your last name, let alone your real one. Yes, the Boston Police were very familiar with the way things worked on Arlington Street. And given that-wherever he had gone-Mr. Paulson had taken with him almost everything he owned, until anything told them differently the Boston Police would treat Mr. Paulson as they had treated so many other boys whose cruel fates led them down the great white way of drugs and prostitution: Mr. Paulson either moved on or jacked too much shit; either way, he’d turn up eventually; either way, it wasn’t their problem.

And even if Paul Jimenez’s friends had known about his online persona as RounDaWay17, The Sculptor had long ago taken care of that loose end-had long ago hacked into Jimenez’s e-mail account, the most recent activity of which would have shown Jimenez taking care of business as usual from an IP address at the public library in Dayton, Ohio.

Yes, The Sculptor was very, very thorough.

It was late in the afternoon when Cathy received the call from the Cranston Police on her cell phone-an unknown number she immediately muted into voice mail. She and Markham were on their way to an interview-a scenario she had become quite familiar with since Markham ’s return from Quantico, one quite different than what she had expected via her television crime drama education. The people Cathy and Markham spoke to could use a good scriptwriter; they were not nearly as articulate or helpful as those witnesses on TV-who, after a string of three or four of them, always led the authorities straight to their man. Indeed, the handful of people who the FBI questioned with regard to the Gabriel Banford connection did not help at all. And the investigation into any other possible murders/disappearances that fit The Michelangelo Killer’s victim profile, as well the leads derived from the forensic evidence on which she and her new colleagues at the FBI Field Office in Boston had been briefed two weeks earlier, had all so far turned up nothing.

All, that is, except one curious clue: the Carrara marble dust found in The Michelangelo Killer’s paint.

“Except for the Carrara marble,” Markham said, pulling into the parking lot, “it seems almost as if The Michelangelo Killer had all that other stuff just lying around. The amount of formaldehyde, of acetone, the silicone rubber needed for the Plastination process-never mind the drugs-strange that we’re not able to get a lead from any of it, where this guy got hold of the large quantities of chemicals and equipment he would need to get his job done.”

“Unless he made the chemicals himself,” Cathy said. “Unless he distilled them from products that were much more readily available.”

“Yes. Like the acetone-the primary ingredient in paint thinner and nail polish remover. But then there’s the formaldehyde. Not something you can pick up at Lowes or Home Depot. And from what I’ve read, not only does it have a short shelf-life, it’s much more difficult to manufacture from other base products-that is, unless we’ve got a chemist with a large lab on our hands.”

“This man is very bright, Sam, and very thorough. He knew that the first thing the FBI would look into would be the unusual forensic evidence-wouldn’t have used anything that could be traced directly back to him. And given the fact that The Michelangelo Killer has been active for at least six years, he could have acquired his equipment and replenished his chemicals gradually. He could have even broken into any number of funeral parlors and stolen just enough formaldehyde here and there so it wouldn’t be noticed. I mean, the time and planning it took to prepare and display his figures-it’s almost as if The Michelangelo Killer also planned on what forensic evidence he would leave behind.”

“Nothing is left to chance.”

“The Carrara marble dust.”